This is the last stay sample that I have still available and up for sale btw! 245C/175US

I think this is the final call for stays and corsets! If you are interested, please get in touch soon! I will also keep doing custom patterns until the end of the year! [Info threads to follow ⬇️]

Taffeta gorgeousness from #VivienneWestwood’s #Frockingfabulous Storm in a Teacup collection of 1996. #fashionhistory via 1stDibs.

Did you know that yall can literally just dress in vintage clothing with your partner without being bigoted freaks intent on taking away other people’s rights? Its called Vintage Style Not Vintage Values

Experiments in cutting cravats

Riding spencer, 1835. Los Angeles County Museum of Art.

Nanette Kaulla, by German painter Joseph Karl Stieler (1829). Schloss Nymphenburg.

Alright folks, if anyone is still on this platform. It's time! I'd like to see this go for 800 as I'd normally charge 1200+ for fully boned stays. Plus insured shipping. These are probably some of my best work and got me several jobs.

Some more shots of these in action plus some detail

I got to make 3 awesome waistcoats (including the Captain’s!) for the Swept Away Musical on Broadway! One of them was made of real oil cloth which is a canvas soaked in oil and used as waterproof workwear in Victorian times!

Coat, 1925. Kent State University Museum.

Waistcoat, 1850s. The John Bright Collection.

Two rabbits by Cartier, 1900. Rose quartz, sapphire, ruby. Royal Collection.

A reminder!

👼 cherub rock 👼 captured by the dreamy genius — jules 🪽 with stays by Cloak & Tailor

Ensemble, 1845-53. Victoria & Albert Museum.

Tested a flexible wing prototype and my bloomers pattern in the The Dangerous Ladies milk bath and this is how it turned out photo by — jules 🪽 stays by Cloak & Tailor