Dr Christina J Faraday(@cjfaraday) 's Twitter Profileg
Dr Christina J Faraday

@cjfaraday

Historian of Art & Ideas @CaiusCollege | FRHistS | BBC New Generation Thinker | Trustee @WalpoleSociety | 📗 Tudor Liveliness @YaleBooks | 🥦👻🎻 views own

ID:48697716

linkhttps://www.christinajfaraday.com/ calendar_today19-06-2009 12:56:45

14,7K Tweets

4,6K Followers

2,8K Following

Dr Elizabeth Norton(@ENortonHistory) 's Twitter Profile Photo

Astrological engravings carved as graffiti into the wall of the Salt Tower in the Tower of London in 1561 by Hugh Draper, a Bristol innkeeper who was accused of sorcery. Perhaps not the best choice of subject matter for a man attempting to convince the authorities that he was not…

Astrological engravings carved as graffiti into the wall of the Salt Tower in the Tower of London in 1561 by Hugh Draper, a Bristol innkeeper who was accused of sorcery. Perhaps not the best choice of subject matter for a man attempting to convince the authorities that he was not…
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Samira Ahmed(@SamiraAhmedUK) 's Twitter Profile Photo

Are you a member of academic teaching staff at a university where arts/culture courses are being cut? Would like to hear from you. Drop me an email summarising what's being cut, impact & a contact number & will try to get back to you. Drop me a line at: [email protected]
thx

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Dr Christina J Faraday(@cjfaraday) 's Twitter Profile Photo

In 1520, Henry VIII travelled to France to meet King Francis I at the Field of the Cloth of Gold. Outside Henry's temporary palace fountains flowed continually with wine.
Let's see how that went for them:

In 1520, Henry VIII travelled to France to meet King Francis I at the Field of the Cloth of Gold. Outside Henry's temporary palace fountains flowed continually with wine. Let's see how that went for them:
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Cambridge Workshop for the Early Modern Period(@EMGSCam) 's Twitter Profile Photo

📢CALL FOR PAPERS: ✨ONE WEEK LEFT✨

The Workshop for the Early Modern Period invites applications for Easter Term (April-June 2024) from postgraduate students working on any aspect of the early modern period (c. 1450-1800).

Deadline: 15 April 2024
👇

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Dr Christina J Faraday(@cjfaraday) 's Twitter Profile Photo

Exquisite details from the portrait of Elizabeth I as a Princess, wearing crimson silk & cloth of silver tissued with gold - materials reserved for royalty. The prayerbook suggests piety and intelligence. Currently on display in Holbein at the Tudor Court Royal Collection Trust - closes on Sunday!

Exquisite details from the portrait of Elizabeth I as a Princess, wearing crimson silk & cloth of silver tissued with gold - materials reserved for royalty. The prayerbook suggests piety and intelligence. Currently on display in Holbein at the Tudor Court @RCT - closes on Sunday!
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Sir Jonathan Bate(@profbate) 's Twitter Profile Photo

Shakespeare acted in a 1598 Ben Jonson play, original cast list revealed 400 years ago. But ⁦𝐃𝐚𝐫𝐫𝐞𝐧 𝐅𝐫𝐞𝐞𝐛𝐮𝐫𝐲-𝐉𝐨𝐧𝐞𝐬⁩ research on his probable role is ingenious. theguardian.com/culture/2024/a…

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The Victorian Society(@thevicsoc) 's Twitter Profile Photo



The scale and bulk of the tower is out of all proportion to existing buildings in the neighbourhood. Victorian buildings will be demolished, and the listed ones will remain permanently in shadow due to the height of the tower.

crowdjustice.com/case/donate-no…

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Dr Christina J Faraday(@cjfaraday) 's Twitter Profile Photo

We don’t know who made this picture of Henry VIII and his Family (c.1546) but they left us lots of lovely information about Tudor design in the details - garden features, gilded columns, carpets and carved wooden panelling. Currently in the Holbein exhibition Royal Collection Trust.

We don’t know who made this picture of Henry VIII and his Family (c.1546) but they left us lots of lovely information about Tudor design in the details - garden features, gilded columns, carpets and carved wooden panelling. Currently in the Holbein exhibition @RCT.
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Andy Burnham(@AndyBurnhamGM) 's Twitter Profile Photo

The Voter ID policy is designed to stop young people voting.👇🏻

Don’t let them win!

To vote in May, sign up here for free ID before 24/4.

electoralcommission.org.uk/voting-and-ele…

You will then be set up for the General Election whenever it comes. 👍🏻

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Dr Christina J Faraday(@cjfaraday) 's Twitter Profile Photo

It's not just Holbein in the Holbein exhibition Royal Collection Trust. Here are some mouth-watering details from Hans Eworth's Elizabeth I and the Three Goddesses (1569). Look at the tiny jewels! The green stitches of the embroidery!

It's not just Holbein in the Holbein exhibition @RCT. Here are some mouth-watering details from Hans Eworth's Elizabeth I and the Three Goddesses (1569). Look at the tiny jewels! The green stitches of the embroidery!
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Dr Christina J Faraday(@cjfaraday) 's Twitter Profile Photo

Can't stop thinking about this. The almost-photorealism of the face, combined with the bold sketchiness of the jacket... (Holbein, Unknown Man, c.1537, Royal Collection Trust)

Can't stop thinking about this. The almost-photorealism of the face, combined with the bold sketchiness of the jacket... (Holbein, Unknown Man, c.1537, @RCT)
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The Victorian Society(@thevicsoc) 's Twitter Profile Photo

Save Museum Street supported by Griff, the Vic Soc and other heritage groups campaigned against a 74m tower that will overlook the British Museum, Hawksmoor’s famous St George’s Church, that will be visible from Bedford Square, and parts of Westminster.

Save Museum Street supported by Griff, the Vic Soc and other heritage groups campaigned against a 74m tower that will overlook the British Museum, Hawksmoor’s famous St George’s Church, that will be visible from Bedford Square, and parts of Westminster.
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Dr Christina J Faraday(@cjfaraday) 's Twitter Profile Photo

Even to this art historian, the effect of all the *real gold* paint used by Tudor artists is endlessly astonishing. Look at this copy after Holbein's portrait of Henry VIII: the light reflects off the glossy oil paint in the face, but the gold doublet glows with a deep lustre.

Even to this art historian, the effect of all the *real gold* paint used by Tudor artists is endlessly astonishing. Look at this copy after Holbein's portrait of Henry VIII: the light reflects off the glossy oil paint in the face, but the gold doublet glows with a deep lustre.
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