AÓD (@cineapparat) 's Twitter Profile
AÓD

@cineapparat

BA & MA in Slavic Studies, "filmmaker," photographer, and musician.

ID: 799509655110217729

linkhttp://graphicrealisation.com calendar_today18-11-2016 07:08:50

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AÓD (@cineapparat) 's Twitter Profile Photo

Going to go out on a limb and say that in a such a presentist society my interest in the appointing of a new Janes Bond is due to this act masquerading as the impression of historical progress. If we can’t have new forms of social organization at least we can have a new Bond!

marshlands (@marshlands) 's Twitter Profile Photo

does anyone know when filmmakers or audiences are going to see any of that money saved cutting costs on the switch from analog to digital, it's been over 10 years, just asking

marshlands (@marshlands) 's Twitter Profile Photo

the implementation of digital cinema projection needs to be understood as a neoliberal/silicon valley style "disruption" process in which owners lined their pockets while destroying a 100+ year old tradition, not unlike the taxi medallion

Christina Newland (@christinalefou) 's Twitter Profile Photo

Oh, my god. Dziga Vertov's second film, The History of the Civil War, (thought lost since the 1920s) has been rediscovered and is screening for only the second time in its hundred year existence at @idfa. I've never been so jealous of people attending the festival.

AÓD (@cineapparat) 's Twitter Profile Photo

Okay, you know Jean-Luc Godard’s death hit you hard when you’re writing nearly 1000 word Letterboxd reviews of PRAVDA days later. boxd.it/3eyMmd

AÓD (@cineapparat) 's Twitter Profile Photo

Worrisome developments for the Dovzhenko Centre, which is also the national film archive of Ukraine with a collection of 10,000 movies. opendemocracy.net/en/odr/dovzhen…