Three episodes into Leviathan, and I'm in love. - Super interesting AU WW1 with mechs and animal-based weapons - Ghibli vibes throughout, along with Joe Hisaishi tracks - Scottish VA for the main character in the dub - Some of Orange's best work to date. Might be my AOTY.

This is how my art teacher described drawing next to a full length mirror at home (imagine the big blue polygon is a mirror)(also imagine that green tube is a pencil)

The people that cut up tv shows and post them as gifs for Tumblr are the backbone of the whole animation industry, and they don't even know it

By misspelling our own show I shall demote myself.

I had an annoying rendering error on two beastars cuts today, and came to the strange conclusion that it would be faster to just redraw them in Photoshop, rather than trying to use CG

Sometimes, I like to work in a layered fashion, starting with the most important and biggest movements in the shot. For the Margo escaping shot, it’s the translation and rotation of the body core through space. From there, we can add more layers to enhance the performance.

People started liking this tweet from 2018, and its starting to scare me

"I do wonder where they went. They probably scattered throughout the industry, lost their powers, and either went through a masturbatory period of creating Fleischer's Superman, or disappeared into doing work on not particularly memorable films." - Hayao Miyazaki out for BLOOD

I just rewatched Rescuers Down Under for the eagle scenes, and "contempt for the audience" is how I would describe the entire rest of the movie. Like Joanna the Goanna is a treasure, but the writers absolutely were making "I guess the villain needs a sidekick" decision

also also, these title names are not set in stone, and also also also, you can have a Character Designer AND Creature Designer, and they might BOTH send you conflicting notes (this happened to me on Godzilla SP)

Gonna walk over to Cloverworks and ask if they want any pointers

WHY IS THIS NOT A BODY PILLOW YET