This is brilliant from Nancy Medina, Bristol Old Vic and Genesis Foundation. Supporting new writing at a time it is desperately needed.

Vital transparency on what it takes to put on a show by a debut writer in the current context. Eye-opening (and watering). Kudos to Papatango Chris Foxton and George Turvey for fighting the good fight!

⭐️⭐️⭐️⭐️⭐️ for #AChildofScience from Stage-Talk “This is an era-defining play that is rich in social scope and emotional depth.” Thank you Graham Wyles! Read the full review here 👇stagetalkmagazine.com/p/33291

They've done it again! Papatango "unearthers of great talent" indeed. What a story, what a play. Flawless cast and incredible writing by Laura Jayne Waldren. Toi toi toi for #PressNight tonight

Nottingham home-grown PUNCH is coming to london next spring. One of the most moving real-life stories I’ve ever had the honour of dramatising…

We're excited to announce a new partnership with the Royal Court! Our Samuel French Bookshop at the RC will be transformed into a free public library resource, allowing you to access over 5,000 scripts and theatre books. The shop will close on 27 July and reopen in the autumn.

One of my favourite books adapted by one of my favourite theatres 🤩 so glad each time I see Ernaux's epic works being translated and adapted ⚡️Congrats Steph Bain!

Introducing the Writers’ Card… Completely FREE to join, the Writers’ Card is a radical invitation for playwrights – a renewed promise of support and community, founded on the artistic values that have always driven the Royal Court's mission. royalcourttheatre.com/playwriting/

Debates. Discussions. Desk space. Free printing. Cheap coffee. Fiver lunch. Community. Collaboration. The chance to tell us what else you need. The Writers' Card - for writers.

Can't think of a better cat to have out of the bag! 🤩

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Here’s an idea: how about in programmes theatres outline how that production got to the stage? How it was commissioned, developed, funded etc? Not just for transparency but also to help others in their route to production? Thoughts anyone? Anna Jordan Mark Ravenhill lyngardner

From a record 1,589 entries, this year's #PapatangoPrize shortlist is: The Meat Kings! (Inc.) of Brooklyn Heights by Hannah Doran Memoriam by Noga Flaishon Corpselight by Daniel Grimston Peeling Oranges by Patty Kim Hamilton Monument by Rhys Warrington papatango.co.uk/2024-papatango…

ICYMI: Playwright Chris Bush has claimed improving the financial stability for people working in the industry will increase "everything else that we want to be doing" on diversity and representation 👇 thestage.co.uk/news/chris-bus…

Weekend plans? How about nominating your top picks for the WhatsOnStage Awards 🏆 #WOSAwards whatsonstage.com/news/nominatio…

👋Arts organisations - What's the best idea you never found funding for? Figurative is looking to develop new funding programmes for the sector. They want to understand what great ideas you couldn't realise due to lack of funds. Tell your story👇 artsprofessional.co.uk/?nltr=MTMwOzk3…

I have obviously nominated Some Demon by Laura Jayne Waldren as Best New Play. Laura is the 2023 Papatango Playwrighting Prize winner: Some Demon ran at the Arcola Theatre and tackled a deeply sensitive subject with dexterity, wit and empathy. #WOSAwards

🚨Dream artistic job going Royal Court NEW PLAYS ASSOCIATE 📩Oversee Open Submissions 📚Guide freelance readers 🎭Drive innovative programming FT, £34,320, managed by Gill Greer Deadline Dec 8th royalcourttheatre.com/new-plays-asso…

Five stars 🤩 Cat on a Hot Tin Roof is now officially open 🐱 If you haven’t managed to get a ticket yet, keep checking our website or come to the theatre before a performance and we’ll do our best to get you in 🤞 Here's our ticket guide >> bit.ly/47FX8Qo

Toniiiiight ✨️