The Whisperer in Darkness (@call_o_cthulhu) 's Twitter Profile
The Whisperer in Darkness

@call_o_cthulhu

The works of H.P. Lovecraft, one tweet at a time.

ID: 456301436

calendar_today06-01-2012 03:06:02

11,11K Tweet

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Looking back at that moment, I can only regret my timidity and wish that I had boldly caused the apparatus to speak. God knows what mysteries and horrible doubts and questions of identity it might have cleared up! But then, it may be merciful that I let it alone.

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From the table I turned my flashlight to the corner where I thought Akeley was, but found to my perplexity that the great easy-chair was empty of any human occupant asleep or awake.

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From the seat to the floor there trailed voluminously the familiar old dressing-gown, and near it on the floor lay the yellow scarf and the huge foot-bandages I had thought so odd.

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As I hesitated, striving to conjecture where Akeley might be, and why he had so suddenly discarded his necessary sick-room garments, I observed that the queer odour and sense of vibration were no longer in the room. What had been their cause?

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Curiously it occurred to me that I had noticed them only in Akeley’s vicinity. They had been strongest where he sat, and wholly absent except in the room with him or just outside the doors of that room.

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Would to heaven I had quietly left the place before allowing that light to rest again on the vacant chair. As it turned out, I did not leave quietly; but with a muffled shriek which must have disturbed, though it did not quite awake, the sleeping sentinel across the hall.

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That shriek, and Noyes’s still-unbroken snore, are the last sounds I ever heard in that morbidity-choked farmhouse beneath the black-wooded crest of a haunted mountain—

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I actually managed to get out of that room and that house without making any further noise, to drag myself and my belongings safely into the old Ford in the shed, and to set that archaic vehicle in motion toward some unknown point of safety in the black, moonless night.

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The ride that followed was a piece of delirium out of Poe or Rimbaud or the drawings of Doré, but finally I reached Townshend. That is all. If my sanity is still unshaken, I am lucky.

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As I have implied, I let my flashlight return to the vacant easy-chair after its circuit of the room; then noticing for the first time the presence of certain objects in the seat, made inconspicuous by the adjacent loose folds of the empty dressing-gown.

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These are the objects, three in number, which the investigators did not find when they came later on. As I said at the outset, there was nothing of actual visual horror about them. The trouble was in what they led one to infer.

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Even now I have my moments of half-doubt—moments in which I half accept the scepticism of those who attribute my whole experience to dream and nerves and delusion.

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The three things were damnably clever constructions of their kind, and were furnished with ingenious metallic clamps to attach them to organic developments of which I dare not form any conjecture.

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I hope—devoutly hope—that they were the waxen products of a master artist, despite what my inmost fears tell me. Great God! That whisperer in darkness with its morbid odour and vibrations!

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Sorcerer, emissary, changeling, outsider … that hideous repressed buzzing … and all the time in that fresh, shiny cylinder on the shelf … poor devil … “prodigious surgical, biological, chemical, and mechanical skill”…

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For the things in the chair, perfect to the last, subtle detail of microscopic resemblance—or identity—were the face and hands of Henry Wentworth Akeley. ∎