Badger (@bertrom) 's Twitter Profile
Badger

@bertrom

In a past life, I was a film teacher, photographer, theatre director and film editor. Now a psychogeographer and Jungian explorer searching for my Anima.

ID: 7090242

calendar_today26-06-2007 14:34:01

66,66K Tweet

20,20K Takipçi

12,12K Takip Edilen

Badger (@bertrom) 's Twitter Profile Photo

How to Explain Pictures to a Dead Hare (Wie man dem toten Hasen die Bilder erklärt) was a solo performance by Joseph Beuys, who was filmed and photographed for three hours as he moved through the Schmela Gallery exhibition whispering inaudibly to the carcass of a hare.

How to Explain Pictures to a Dead Hare (Wie man dem toten Hasen die Bilder erklärt) was a solo performance by Joseph Beuys, who was filmed and photographed for three hours as he moved through the Schmela Gallery exhibition whispering inaudibly to the carcass of a hare.
Badger (@bertrom) 's Twitter Profile Photo

Francisco Goya. Witches in Flight. An oil-on-canvas painting completed in 1798. The general scholarly consensus is that the painting represents a rationalist critique of superstition and ignorance. Topical even now.

Francisco Goya.

Witches in Flight.
An oil-on-canvas painting completed in 1798.

The general scholarly consensus is that the painting represents a rationalist critique of superstition and ignorance.

Topical even now.
Badger (@bertrom) 's Twitter Profile Photo

Hope and reconciliation among all faiths? The monster that is Netanyahu needs a major lesson in irony. And an arrest warrant for war crimes.

Hope and reconciliation among all faiths?
The monster that is Netanyahu needs a major lesson in irony.
And an arrest warrant for war crimes.
Badger (@bertrom) 's Twitter Profile Photo

Gales were blowing and clouds quickly scattered as the world turned opaque as a particularly dark cloud was driven into view. A mood descended on most things that strangely seemed quite irrelevant.

Gales were blowing and clouds quickly scattered as the world turned opaque as a particularly dark cloud was driven into view. A mood descended on most things that strangely seemed quite irrelevant.
Badger (@bertrom) 's Twitter Profile Photo

13 Edward Hopper Paintings Are Recreated As Sets For Indie Film ‘Shirley – Visions of Reality.’ youtu.be/rcQ4JKxxukY

13 Edward Hopper Paintings Are Recreated As Sets For Indie Film ‘Shirley – Visions of Reality.’

youtu.be/rcQ4JKxxukY
Badger (@bertrom) 's Twitter Profile Photo

Justine Kurland. Between 1997 and 2002 she embarked on road trips across America to find, and photograph, the subjects of her ‘Girl Pictures’. These road trips were always undertaken alone, and the women she photographed she scouted from whichever town she landed in.

Justine Kurland.

Between 1997 and 2002 she embarked on road trips across America to find, and photograph, the subjects of her ‘Girl Pictures’. These road trips were always undertaken alone, and the women she photographed she scouted from whichever town she landed in.
Badger (@bertrom) 's Twitter Profile Photo

Alec Soth. “Photography is not essentially a sensitive medium, but I’ve come to realise that sensitivity matters. It really does.”

Alec Soth.

“Photography is not essentially a sensitive medium, but I’ve come to realise that sensitivity matters. It really does.”
Badger (@bertrom) 's Twitter Profile Photo

“At last.” “At last, mainstream British TV is saying something about what is happening.” But not enough. apple.news/Actv6SaN-Ttid_…

Badger (@bertrom) 's Twitter Profile Photo

Trevor Christensen. Los Angeles. His idea was to make his subjects comfortable in front of any capture by him getting naked for a collection he named Nude Portraits. I love the subtle and not so subtle eye contact in these.

Trevor Christensen.
Los Angeles. 

His idea was to make his subjects comfortable in front of any capture by him getting naked for a collection he named Nude Portraits.

I love the subtle and not so subtle eye contact in these.
Badger (@bertrom) 's Twitter Profile Photo

You know: never underestimate the confidence of a mediocre man. But that’s kind of what social media is for. observer.co.uk/culture/books/…