the protesters are heroes, fuck the cops

#Xbox97Sweepstakes

An Xbox with an X-Gene?!

Follow & RT with #Xbox97Sweepstakes for a chance to win a custom Xbox Series X console & controller combo, plus an extra controller, inspired by Marvel Animation’s #XMen97 , now streaming on Disney+.

18+. Ends 5/20/24. Rules: xbx.lv/3QaIoBC

guy next to me watched the entirety of dune part 2 like this

I got FLPY

amc lincoln square’s abyss screening’s audio is fucked up because they got the wrong file LMFOA

The perfect way to play Bluey The Videogame: with a #Bluey Xbox!

Follow and RT with #Bluey XboxSweepstakes for a chance to win a custom Official Bluey TV Xbox Series X & controller.

Ages 18+. Ends 12/13/23. Rules: xbx.lv/47iZyTV

I just walked past michael mann 😭😭😭😭????

A group of more than 50 on-set VFX workers have voted to unionise at Marvel.

(Source: tinyurl.com/24m6xu6t)

Big rat outside Amazon Studios

(Source: Deadline)

Ron Perlman on the studio exec that wanted the strike to drag on until union members lose their homes:

“There’s a lot of ways to lose your house. You wish that on people, you wish that families starve while you’re making 27-fucking-million a year.”

Bob Odenkirk on being nominated for an Emmy during a writers strike & potential SAG strike.

“I love telling people these are the things that we’re going to lose if we don’t get to make and do our work. We’re going to lose this kind of quality. We’re going to lose ‘Succession’…

Actually evil shit

I feel scammed by this poster because the trailer was just the regular one with extra scenes

Everything he said here made perfect sense given animation production cycles, y’all just insulted him because you didn’t want to believe your favorite movies were made like this

I say this without any intention of gloating or celebrating my being correct, but I had masses of people saying absolutely horrific things to an about me for even suggesting that this was a possibility. The culture surrounding these IP projects needs to change dramatically

From an action filmmaking perspective, it is mind-boggling that Chad Stahelski uses almost zero close-ups in JOHN WICK 4. For most of the movie, the action is framed in two ways:: Full Body and Cowboy Shot (waist to head) that the editor cuts between. YOU NEVER SEE THAT IN MOVIES