Happy to be part of this really fantastic event at Brooklyn's finest spot. Grab Tix now 👇

Last set of shows w/ THIS WILL DESTROY YOU sweeps through the East next week: Montreal @ Theatre Fairmount Boston @ Crystal Ballroom Philly @ World Cafe Live Scoop Tix fast! wiresundertension.com

New Classical Mixtape 12 themoderns.blog/2024/06/15/new… Christopher Tignor Terrorbird Media PARMA Recordings Dobrawa Czocher Afarin Mansouri Riparian Acoustics/ Riparian Media Nicholas Thayer dense Galan Trio

Tour mornings w/ other people's cats...tonight in Boston @ The Crystal Ballroom w/ THIS WILL DESTROY YOU ticketmaster.com/event/01006030…

Labels putting out your LP only digitally is the equivalent of movies skipping the theaters and going straight to streaming. With all the implied disappointment for creators. This point is so obvious that this is just a confession of how dumb I am not to have realized it sooner.

scene (of 1) report.

I've come to realize the most boring answer a musician can give to: "What you working on atm?" "Just composing new stuff for my next LP." is 100% the most exciting answer, artistically. Most people just want to hear about the razzle dazzle Hollywood Bowl gig, tours, ...

Think about how little the language designers care about you if this is not a syntax error and they expect you to find this on your own: if (x = 0) { ...launch the nukes... } How you people work in #Javascript w/o hard, hard drugs is beyond me.

Among one's most reliable, comforting friends, the e-minor chords ranks among the truest of character.

If you write multi movement works where the suite has a title and the mvmts have individual titles, how do you represent that on your albums (physical, digital)? What if the suite is included alongside other works? Judd Greenstein John Supko Charlie Looker kelly moran

Found myself thinking about the tone of a guitar player I worked with a long time ago, for many years. Guitar players spend *so* much time thinking about their tone, it seemed the least I could do.

I now think maybe nothing can make you truly happy except the weather. Everything else is too full of *you* and thus infinitely fragile and fleeting and attached by strings. Only the impersonal oddity of a warm breeze and be enjoyed for what it is, nothing.

Words that are too graphically close and sorry we just need to choose/ban one: * Inevitable/invertible * Others

A social media network where you can be assured--structurally--that your posts will never, ever be read by other users, staff, or otherwise. Working title: "The Void". Now accepting applications for Series A.

I have my next text to you already typed. I'm waiting for your reply to hit "send". #DecisionTree

The most punk rock, anti-establishment, downright ballsy musical act in current America must certainly be the subway mariachi band dudes. Imagine having the guts.

Composers probably work on the endings of their pieces the most? If you don't like the end of your song the whole thing quite certainly sounds like a waste of time.

Sure, why not?

‘Echo in the Field’ kelly moran New video out now. Taken from the forthcoming album, ‘Don’t Trust Mirrors’ arriving 1 October. → warp.net/kelly-moran-do…

"Karma Chameleon" is such a great example of pop's frequent contradictions. Boy George was so genre-pushing in style and sexuality while their signature jam is such harmonica-riffin, milk toast elevator soft rock. So many examples of this. No shade, just sayin.