🔥The 9th Round of Easy Loan, Earn $40 Reward is in progress❗️ ⏰ Promotion Period: January 15th - Feburary 15th, 2025 👉 Register now and check more details at gate.io/campaigns/358

✨Jean-Pierre & Luc Dardenne’s Closet Picks✨ The Palme d’Or–winning Belgian duo—whose new film TORI AND LOKITA is now playing exclusively on Criterion Channel—talk about their friends Jane Campion & Cristian Mungiu, a Kieślowski masterpiece, & the “profound loneliness” of WANDA.

The print edition of Issue 8.1 (Crime Film) has arrived!

Vincent van Gogh’s Prisoners Exorcising Stanley Kubrick’s A Clockwork Orange

ALFRED HITCHCOCK was born on this day 124 years ago. Considered one of the greatest ever filmmakers, he directed over 55 movies. Here’s some great behind the scenes shots from his 54-year career. 🧵 1/30

MSJ contributor and St Andrews Film Festival director Mina Radovic is set to curate this Yugoslav film series MoMA Film. Not to be missed!

Just published: Issue 8.2 (Winter 2023) issuu.com/professorc3p0/…

Mise-en-scène 🎞 is always a great source of budding undergrad horror scholars. Read Jordan Redekop-Jones's new piece on Ellen Ripley, the female body, and unwanted alien pregnancy. #OpenAccess journals.kpu.ca/index.php/msq/…

Julianne Moore and John Turturro have joined Tilda Swinton in Pedro Almodóvar's 'The Room Next Door.' See new plot details: thefilmstage.com/julianne-moore…

Martin Scorsese on criticism of ‘Flower Moon’s’ 3+ hour runtime: “Not every film is for every person...I don’t know if it’s something that will be universally accepted. This one felt right [at this length], and I felt that while I was watching it.” wp.me/pc8uak-1lDEPv

Mise-en-scène 🎞 is on the ground in Boston for the 65th annual meeting of the SCMS. Our editor-in-chief, Greg Chan, is attending the film and media studies panels—30 concurrent sessions for each time block!—to recruit potential contributors. #SCMS2024 #InTheFrame

📢 PKP is NOT FOR SALE! By its design, several safeguards are in place to reassure our communities that PKP will not be bought or sold. PKP underscores how it is not, and never will be, for sale. Check it out, and if you are so inclined, please share: pkp.sfu.ca/2024/03/14/pkp…

#SCMS24 Day 3!

Steve Zaillian’s #Ripley is a fascinating new take on the Tom Ripley story. It’s not a remake of Minghella’s film, but a bold reinterpretation. It also has some of the most gorgeous B&W cinematography I’ve seen in some time. Robert Elswit’s work is nothing short of stunning.

The moment we've all been waiting for is here! The Sundar Prize Film Festival's official trailer is LIVE! 📽️ Join us on June 15th and 16th at Centre Stage at City of Surrey City Hall for a celebration of human resilience and incredible storytelling. Edited by our award-winning

#FEATURE: Sundar Prize Film Festival launches in Surrey The inaugural event featured film screenings, panels, and awards, including a KPU-based residency prize #SundarPrizeFilmFestival #FilmFestival #SurreyBC ow.ly/mBnl50SrgVw

Just published: Issue 9.1: 1980s Redux, headlined by Andrew Hageman’s reconsideration of David Lynch’s #Dune as A Masterpiece in Disarray. Dedicated to npkennedy (1959-2024)

My review essay on Max Evry's excellent book about David Lynch's "Dune" in the new issue of the film journal "Mise-en-Scene." journals.kpu.ca/index.php/msq/…