This is a digital portrait of Dualla, a rescue bird who now lives in New York her humans. I painted it using the Corel Painter app and a stylus.

I'll be speaking at the Alabama Vegan Fest at 2:30 this Sunday. facebook.com/events/3636682…

💚🙌🏻💚

We left a playbook. He ignored it. We created an office to prepare for pandemics. He gutted it. We had CDC officials in China to detect and contain outbreaks. He pulled them out. Trump can try and shift blame all he wants, but the fact is his actions left us unprepared.

It will take me a while to get over this. I fear the country never will. RIP Ruth.

At the Internet Archive, this is how we digitize a book. We never destroy a book by cutting off its binding. Instead, we digitize it the hard way--one page at a time. #digitalbooks

In between writing sessions I’ve started creating a few pieces of art. This one is titled “Lonesome After Tea.”

I titled this one “Evocation: Zion National Park,” because it doesn’t represent a single vantage point of the park, but is a composite of several perspectives. It's digital, and the process I use is described here: facebook.com/greg.fuller.14…

This week's piece is "Tuolumne Meadows." Tuolumne Meadows is sometimes thought of as a sideshow to Yosemite Valley, but it has a unique beauty all its own.

This is my fourth recent work inspired by the post-impressionists. It was challenging for me to create—trying to balance composition, color, edges, texture, and shadows into some kind of harmonious whole that looks nice. The title is simply "Mother and Daughter on the Beach."

Here's my fifth work in the post-impressionist series. During critiques, may UAB painting instructor would say “I assume everything I see is intentional. Either you put it there on purpose or left it there on purpose.” I left the frog there on purpose but with some doubt.

Happy Monday, everyone. Here's number six in my post-impressionist series, "Autumn Picnic on the Lake."

Monday is once again upon us, so here's number seven in my series. Let's just call it "Hummingbird on a Branch Among White Blooms." Hope you enjoy it.

Egrets in the Valley is the eighth work in my post-impressionist series. Enjoy.

This is my ninth work in the series. It’s very evocative for me personally in a way that could take on several meanings. May it have some meaning for you, and may the memories be pleasant. Thanks for looking at my works!

This is the tenth work in my post-impressionist series. It’s just a simple still life. The Dutch were masters at still-life paintings, but still-life works have not been favorites in recent times.

It’s Monday again, so here’s my eleventh work in the series. To paraphrase Oscar Wilde, every portrait is a self-portrait. But this old man is whomever you wish reading whatever book you wish.

Now for something a bit whimsical. I'll call this style "semi-abstract expressionism." It's a little known fact that dogs love to read books, but they only read them when humans aren't looking.

It's Monday again, so here's another piece. It's not just dogs; cats can read too. Smarty Cats or Puss-n-Books?

It's Monday—time for another piece. But it's not just any Monday. Happy Martin Luther King, Jr Day.