Anna Chiara Brunetti (@annachiarabru) 's Twitter Profile
Anna Chiara Brunetti

@annachiarabru

The one who looks confused.

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calendar_today19-11-2013 22:06:38

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The Paris Review (@parisreview) 's Twitter Profile Photo

“I’m grateful for the lessons one learns from great writers, but also from imperialists, sexists, friends, lovers, oppressors, revolutionaries—everybody. Everybody has something to teach a writer.” —Arundhati Roy theparisreview.org/interviews/781…

Anna Chiara Brunetti (@annachiarabru) 's Twitter Profile Photo

"Consider our whole galaxy staked in place by a single star. I fear we haven’t said nearly enough about that." Kaveh Akbar, An Oversight theparisreview.org/poetry/7788/an…

Anna Chiara Brunetti (@annachiarabru) 's Twitter Profile Photo

"There is nothing more terrible than waiting for the terrible. I promise. Was the grief worth the poem? No, but you don’t interrogate a weed for what it does with wreckage. For what it’s done to get here." -- Hala Alyan newyorker.com/magazine/2021/…

Anna Chiara Brunetti (@annachiarabru) 's Twitter Profile Photo

A small hamlet between Brisighella and Marradi is where I grew up (and where Dante's words indeed are part of everyone's everyday language). It warms my heart to read about it on the The Washington Post. ❤

Anna Chiara Brunetti (@annachiarabru) 's Twitter Profile Photo

"a translation isn’t finished until all the answers are present and correct, with each conditioning the others. But when it comes to literature, there is rarely ever just one solution, and my job is to test as many as possible." The Art of Translation nytimes.com/interactive/20…

Anna Chiara Brunetti (@annachiarabru) 's Twitter Profile Photo

"Many interesting things have happened to adult me, but in the opinion of teen-age me there is only one real event in our lives and it occurred on the sixteenth of April, 1993, when I fell thirty feet from my bedroom window." newyorker.com/magazine/2023/…

Anna Chiara Brunetti (@annachiarabru) 's Twitter Profile Photo

"I thought gravity was a law, which meant it could be broken. But it’s more like a language. Once you’re in it you never get out. " newyorker.com/magazine/2024/….