Amy E. Elkins
@amyeelkins
Associate Prof. of English | author of Crafting Feminism from Literary Modernism to the Multimedia Present (OUP: bit.ly/3GkwWNP) | she/her đ
ID: 248968184
https://amyelkins.net 08-02-2011 02:40:23
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Since MSA (Modernism) is next week, Iâd like to share! Later this year, Iâll be stepping in as editor of the M/mPrint+ feminist/queer theory forum âOrientations.â Gratitude to Janine Utell for leading the way with her tremendous work on this important & dynamic platform. More soon!
We are elated to share that Amy E. Elkins is taking the reins from @JanineUtell on our forum on feminist and queer modernisms, âOrientations.â Read her introduction on methods, messes and manifestos, âQueer âOrientationsâ as Counterblast Manifesto,â here: modernismmodernity.org/forums/posts/eâŚ
A poem from my new manuscript, "Maze," one of three in the summer The Sewanee Review, with thanks to the editors. Subscribe today: thesewaneereview.com
Modernists, as you make your plans for MSA this year, keep in mind my seminar with Claire Battershill and Sheryda WarrenerâMaking Creative Work Across Forms: Modernist Prompts and Provocations! MSA (Modernism)
Grateful to poet & friend Richie Hofmann for allowing me to make a poetry broadside for âIdyll,â my favorite cicada poem. A very limited run of only 30 numbered prints -signed by the poet- are for sale! $30 (+ $12 shipping in the U.S., $20 international). 9x12â. Msg to purchase âĽď¸
Check out and support Amy E. Elkinsâs beautiful workâthis new broadside of my poem, âidyll,â in time for the cicada summer đŞ˛đŞ˛đŞ˛
Created an Etsy listing for my broadside edition of Richie Hofmann "Idyll"--get yours today! etsy.com/listing/178383âŚ
New DEBORAH LEVY â preparing for press â Cover by Chris Bentham. Photograph by Agnès Varda. Originally published in France by Ăditions du sous-sol Coming this November â
Delayed post here but Iâm thrilled to say that I defended my thesis last month Royal College of Art and passed my PhD. Retouching the Archive is a practice-led project on the role of women in the making of early photography 1780-1846. It combines archival research and contemporary art practice.