Amy E. Elkins
@amyeelkins
Associate Prof. of English | author of Crafting Feminism from Literary Modernism to the Multimedia Present (OUP: bit.ly/3GkwWNP) | she/her 🌈
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https://amyelkins.net 08-02-2011 02:40:23
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Since MSA (Modernism) is next week, I’d like to share! Later this year, I’ll be stepping in as editor of the M/mPrint+ feminist/queer theory forum “Orientations.” Gratitude to Janine Utell for leading the way with her tremendous work on this important & dynamic platform. More soon!
We are elated to share that Amy E. Elkins is taking the reins from @JanineUtell on our forum on feminist and queer modernisms, “Orientations.” Read her introduction on methods, messes and manifestos, “Queer ‘Orientations’ as Counterblast Manifesto,” here: modernismmodernity.org/forums/posts/e…
A poem from my new manuscript, "Maze," one of three in the summer The Sewanee Review, with thanks to the editors. Subscribe today: thesewaneereview.com
Modernists, as you make your plans for MSA this year, keep in mind my seminar with Claire Battershill and Sheryda Warrener—Making Creative Work Across Forms: Modernist Prompts and Provocations! MSA (Modernism)
Grateful to poet & friend Richie Hofmann for allowing me to make a poetry broadside for “Idyll,” my favorite cicada poem. A very limited run of only 30 numbered prints -signed by the poet- are for sale! $30 (+ $12 shipping in the U.S., $20 international). 9x12”. Msg to purchase ♥️
Check out and support Amy E. Elkins’s beautiful work—this new broadside of my poem, “idyll,” in time for the cicada summer 🪲🪲🪲
Created an Etsy listing for my broadside edition of Richie Hofmann "Idyll"--get yours today! etsy.com/listing/178383…
New DEBORAH LEVY — preparing for press — Cover by Chris Bentham. Photograph by Agnès Varda. Originally published in France by Éditions du sous-sol Coming this November —
Delayed post here but I’m thrilled to say that I defended my thesis last month Royal College of Art and passed my PhD. Retouching the Archive is a practice-led project on the role of women in the making of early photography 1780-1846. It combines archival research and contemporary art practice.