Clubhouse Conversations — Andor (S2) Damián García, Christophe Nuyens, SBC & Mark Patten, BSC break down how they crafted unique arcs with naturalistic lighting, vintage lenses & bold influences like The Battle of Algiers. Watch the full convo: theasc.com/videos/clubhou… #Andor

In this episode, Paula Huidobro joins Oliver Bokelberg, ASC, BVK to discuss her stylized cinematography for The Residence — from multi-stage White House sets to balancing dark comedy and mystery. theasc.com/videos/clubhou… #ASC #ClubhouseConversations

In this episode, DPs Shasta Spahn and Michael Wale join Gavin Kelly, ASC to discuss crafting Yellowjackets S3 — from fairy-tale summer tones to surreal hallucinations and outdoor rigging challenges. theasc.com/videos/clubhou… #Yellowjackets #ASC #ClubhouseConversations

For Father’s Day, revisit our Clubhouse Conversation with Alex Disenhof, ASC — joined by his baby — as he breaks down the cinematography of The Rings of Power Season 2 with Rob Legato, ASC. theasc.com/videos/clubhou… #FathersDay #ClubhouseConversations #TheRingsofPower #ASC

Jody Williams joins C. Kim Miles, ASC, CSC, MySC to discuss crafting Fight Night: The Million Dollar Heist — from 1970s Black cinema influences to Steadicam heist scenes — in our latest Clubhouse Conversation. theasc.com/videos/clubhou… #ClubhouseConversations

Learn to shoot on film with top DPs at the 2025 ASC Master Class (June 23–27), featuring an exclusive F1 The Movie screening + Q&A with Claudio Miranda, ASC, Joseph Kosinski & Dan Ming. Instructors include Yeoman, Walker, Braier, Lieberman, and Goi. theasc.com/master-class

Filmed live at Cine Gear Expo LA — Jessica Lee Gagné joins Adam Bricker, ASC to discuss her work on Severance S2, directing Ep. 7, visual influences, and the show’s signature hallway shots. theasc.com/videos/clubhou… #ClubhouseConversations #Severance

What’s your favorite visual moment from Severance, Silo, Your Friends & Neighbors, or The Studio? In this Clubhouse Conversations roundtable, ASC members break down their Apple TV+ series. From handheld elegance to satirical long takes- theasc.com/videos/clubhou…

As a #mediapartner to IBC2025, American Cinematographer readers can secure a free expo pass or an exclusive 10% discount on a delegate pass. Secure yours today 👉 show.ibc.org/pass-american-…

What’s the most memorable color grade in film? Sir Roger Deakins, CBE, ASC, BSC revolutionized O Brother, Where Art Thou? by digitally desaturating lush Mississippi greens into dusty browns — a groundbreaking look 25 years ago. Read more: theasc.com/articles/o-bro…

Matthew Lewis on shooting Adolescence Ep. 3 in a single take, using frosted windows and practical fluorescents to sustain a natural look inside the Visitor Room. More in the July issue of American Cinematographer. #Cinematography #MatthewLewis #Adolescence

First published in Aug. 1998, this AC article dives into how Janusz Kamiński, ASC, and Spielberg used stripped lenses, 45° shutters, and “streaking” effects inspired by Full Metal Jacket to capture the chaos of Omaha Beach in Saving Private Ryan. theasc.com/articles/savin…

As a #mediapartner to IBC2025, American Cinematographer readers can secure a free expo pass or an exclusive 10% discount on a delegate pass. Secure yours today 👉 show.ibc.org/pass-american-…

In honor of Inception’s 15th anniversary, revisit our deep dive with Wally Pfister, ASC and Christopher Nolan on how they filmed the spinning hallway and ski chase with VistaVision and handheld cameras. Read the full piece: theasc.com/articles/incep…

As a #mediapartner to IBC2025, American Cinematographer readers can secure a free expo pass or an exclusive 10% discount on a delegate pass. Secure yours today 👉 show.ibc.org/pass-american-…

For Daredevil: Born Again, DPs Hillary Fyfe Spera & Pedro Gómez Millán, AMC leaned into vintage lenses, lens flares & zero VFX to ground the series in gritty NYC realism. A 270° fight scene was shot with a custom 3-cam rig. Full story in July 2025 AC. #ASC #Daredevil

Lol Crawley, ASC, BSC joins the ASC. The Oscar-winning DP of The Brutalist also shot 45 Years, Four Lions, Vox Lux & The OA. He began on 16mm dramas & broke out with Ballast at Sundance. theasc.com/news/asc-welco… #ASC #Cinematography #LolCrawley #TheBrutalist #BSC

AC’s 2025 Rising Stars list is here. Meet 8 cinematographers shaping the future of visual storytelling: Mia Cioffi Henry, Olan Collardy, Tehillah De Castro, Shady Hanna, James Rhodes, John Rosario, Sarah Whelden & Joshua Zucker-Pluda. Read more: theasc.com/articles/2025-…

Cinematographers from around the world share what inspires them, how they adapt to new tech, and what cinematography means to them—offering personal insight into the emotional, creative, and collaborative nature of their craft. On ASC+ Learn More: theasc.com/ascplus

August issue’s Wrap Shot takes the driver’s seat with Grand Prix (1966), shot by Oscar-winner Lionel Lindon, ASC. With cameras rigged to a Ford GT and 360° pan-tilt heads, the film redefined racing cinematography. #ASC #GrandPrix #Cinematography #LionelLindonASC #WrapShot