As this beautiful take on L’Enfance du Christ ended, you felt the local story of a homeless family being wrapped in the embrace of eternity telegraph.co.uk/music/classica…

Despite the latest in a grim series of rule-changes, most churches and cathedrals are battling on. So why are the likes of Durham wavering? telegraph.co.uk/music/classica…

This new, sustainable production brings flashes of lucidity, but too often Handel's opera is buried under a pile of odd decisions telegraph.co.uk/opera/what-to-…

As she brings one of opera’s most demanding roles to the small screen, the star talks about love, trauma and sensuality telegraph.co.uk/opera/what-to-…

The Hallé Orchestra’s semi-staged performance of Puccini's opera was stripped back yet possessing true passion and pathos telegraph.co.uk/music/classica…

Prom 62, review: Kirill Petrenko and the Berlin Phil take Mahler to Seventh heaven telegraph.co.uk/music/classica…

Proms and the ENO at Printworks London, review: an overawing evening with an extraordinary crowd telegraph.co.uk/opera/what-to-…

Le Concert Spirituel, review: perfect sweet French piety for a nation in mourning telegraph.co.uk/music/classica…

A harpsichord tuner’s £1 million gift will allow George Frideric Handel’s townhouse to be made into a “major British attraction”, with money left over to renovate Jimi Hendrix’s old flat telegraph.co.uk/news/2022/11/2…

It's a Wonderful Life: ENO's exuberant – and somewhat ironic – production updates Frank Capra's beloved film while keeping his sharp wit intact telegraph.co.uk/opera/what-to-…

The Hours, review: the Met proves that opera need not be afraid of Virginia Woolf telegraph.co.uk/opera/what-to-…

Il Trittico, Scottish Opera, review: Puccini triptych is an unmitigated triumph telegraph.co.uk/opera/what-to-…

🎭Mark your diary with our essential guide to this season’s must-sees – from Elton John to Jazz Emu, Gwen John to Indiana Jones telegraph.co.uk/films/0/best-1…

Even faced with a 35 per cent funding cut, WNO give Bernstein's tricky take on Voltaire a valiant, handsome staging telegraph.co.uk/opera/what-to-…

✍️ The composer’s ‘mixed media’ exploration of memory is an odd mix of slippery storytelling and overheated, didactic music | Writes Alexandra Coghlan

🎶 Opening night evokes pure joy whilst acknowledging turbulent times and the fight for freedom telegraph.co.uk/music/what-to-…

🎵The Prom was Sir Simon Rattle's last appearance in the UK before he heads to Munich - but we certainly haven’t seen the last of him telegraph.co.uk/music/concerts…

🎵 A dark and troubled evening of neglected Welsh talent, plus the best of November’s classical concerts | Ivan Hewett telegraph.co.uk/music/classica…

A performance of Erik Satie’s piano piece Vexations can last 20 hours. But is it avant-garde art, or a misunderstood joke? telegraph.co.uk/music/classica…

✍️ 'What Tchaikovsky’s darkest opera could teach Putin’s Russia' | Writes Simon Heffer telegraph.co.uk/opera/what-to-…