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TAKEONECinema.net โ€ข Celebrating cinema & fests globally โ€ข Media @EdinburghShorts @CamFilmFest โ€ข Limited series pods #TAKEONEPresents: Dinopod & Xenopodโ€ข

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linkhttps://TAKEONECinema.net calendar_today08-09-2011 13:40:41

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The form on the 'Write for TAKE ONE' page hasn't been functioning properly for about two years. We've started to get in touch - we think - with everyone who used it (they were unforwarded, rather than lost), but if you got in touch and haven't heard anything, give us a shout.

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"BABYGIRL is festive family fun in the least traditional sense. Finding levity and grace in human weakness & the messiness of navigating human desire, the film gives generational acting talents a phenomenal showcase ..." - @carmenchloie reviews: takeonecinema.net/2025/babygirl/

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"This edition of #NOSFERATU is often visually remarkable, but falters in communicating [its themes] of fear and desire and is content to menacingly nibble around the edges rather than sink its teeth in." - @jimgr reviews: takeonecinema.net/2025/nosferatuโ€ฆ

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โ€œAlthough VERMIGLIO may be too gentle to impact viewers, the film is a beautiful neorealist throwback that shows the power of detailed, naturalistic characterisation.โ€ - Carmen CP (also on ๐Ÿ™๏ธ) reviews: takeonecinema.net/2025/vermiglio/

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โ€œThe first feature film adaptation of William Tellโ€™s story since 1960 feels more like farce than fable. Left behind in the wake of its shortcomings is a film where the craft doesnโ€™t match the potential of its material.โ€ - Calum Cooper reviews: takeonecinema.net/2025/william-tโ€ฆ

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โ€œNICKEL BOYS is a towering achievement from a filmmaker long preoccupied with the documentary artform, an inventive and painful tale [โ€ฆ] that reminds us cinema isnโ€™t solely defined by what itโ€™s about, but also by how itโ€™s made.โ€ - Kedar Bayley reviews: takeonecinema.net/2025/nickel-boโ€ฆ

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"Mike Leighโ€™s [newest film] is one of his most poignant and arresting dramas. HARD TRUTHS is nothing less than immaculate in its construction and is bound to resonate deeply with British audiences living in a post-Covid world." - James Learoyd reviews: takeonecinema.net/2025/hard-trutโ€ฆ

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"The tropes of the [sports] genre in THE FIRE INSIDE feel like routine cinematic shadowboxing, but the introspective third act is an unexpected uppercut." - Jack Hewitt reviews: takeonecinema.net/2025/the-fire-โ€ฆ

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โ€œPRESENCE may be destined to simply be another formally experimental work for Soderbergh, but there is enough compelling drama and character work that it deserves more consideration than that.โ€ - Simon reviews: takeonecinema.net/2025/presence/

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โ€œIf art can be considered a reflection of the artistโ€™s beliefs & values, then the cast and crew of SING SING have wonderfully presented the importance of sincerity & vulnerability in a world that increasingly seems to resent both.โ€ - Calum Cooper reviews: takeonecinema.net/2025/sing-sing/

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โ€œON FALLING demonstrates that when our societal systems are dysfunctional at best & broken at worst, we all lose something: our ability to connect, be joyful, & share in the world.โ€ - Jim Ross ๐Ÿด๓ ง๓ ข๓ ณ๓ ฃ๓ ด๓ ฟ๐ŸŽž reviews the opening film of Glasgow Film Festival, also out March 7th: takeonecinema.net/2025/on-fallinโ€ฆ

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โ€œThe unique approach of FLOW streams through [its] animation style [&] character behaviour, in a way that deepens the impact of its themes of solidarity, companionship, and harmony.โ€ - @jimgr reviews the #Oscars nominee releasing next month in the UK: takeonecinema.net/2025/flow/

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โ€œExploring the intricate characters of A REAL PAIN creates a surprising emotional authenticity and a sense of transparent peace that leaves a bittersweet aftertaste.โ€ - Martha Wallam reviews: takeonecinema.net/2025/a-real-paโ€ฆ

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โ€œThe film will stand the test of time, both in terms of the ideas and questions it raises, as well as a beautiful example of the moving image. However, something about THE BRUTALIST arriving now lends the film potency.โ€ - @jimgr reviews: takeonecinema.net/2025/the-brutaโ€ฆ #thebrutalist

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Our Glasgow Film Festival coverage continues with Simon's review of MR. K, starring #CrispinGlover. "While itโ€™s visually striking & Crispin Glover gives a wonderful performance[,] MR. Kโ€™s web of allusions to other works grows a little thin[...]" - takeonecinema.net/2025/mr-k/

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On Wednesday, a new season launches on 'TAKE ONE Presents...'! Your mission if you choose to accept it is to tune into The Impossipod. @simonxix & @jimgr turn their eyes to the M:I series, looking at its place in film history & how it develops: takeonecinema.net/the-impossipod/

On Wednesday, a new season launches on 'TAKE ONE Presents...'! Your mission if you choose to accept it is to tune into The Impossipod. @simonxix & @jimgr turn their eyes to the M:I series, looking at its place in film history & how it develops: takeonecinema.net/the-impossipod/
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"O รšLTIMO AZUL (THE BLUE TRAIL) is a heartwarming road movie from Brazilian director and screenwriter Gabriel Mascaro, which was awarded the prestigious Silver Bear Grand Jury award at the 2025 Berlin Film Festival." - Caz Armstrong reviews: takeonecinema.net/2025/o-ultimo-โ€ฆ

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"...#MissionImpossible has lasted much longer than the legendary 5-seconds-until-self-destruction. Even if [#TheFinalReckoning] delivers more than a tiny puff of smoke in an 80s tape player, it represents a fizzling out nonetheless." - @jimgr reviews: takeonecinema.net/2025/mission-iโ€ฆ