Parul Pandya Dhar
@parulpandyadhar
Art Historian. Professor, Department of History, University of Delhi.
ID: 1590200670841249792
09-11-2022 04:32:53
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The early places of worship were simple structures made of brick or wood or even a little niche for the offerings as can be cleaned from the Brahmi scripts. It was only in the Gupta period that temples started finding much more definition. Parul Pandya Dhar and Ashwita in
The patronage patterns of temples are mixed, some were commissioned by the community or traders and others by the ruling families of a region. Parul Pandya Dhar in conversation with Ashwita Jaigarh Heritage Festival Rajasthan Tourism Priya Agarwal Hebbar
CHISELLING THE DIVINE: THE INDIAN TEMPLE, Parul Pandya Dhar in conversation with Ashwitha Jayakumar Jaigarh Heritage Festival Sanjoy K Roy
A conversation followed, with art historian Parul Pandya Dhar discussing the intricate architecture of Indian temples with writer Ashwitha Jayakumar. In another session, historian Rana Safvi رعنا राना and the Gaddi-Nashin of Ajmer Sharif, Haji Syed Salman Chishty, explored India’s Sufi traditions. (2)
MUP Co-published with Routledge- The Multivalence of an Epic: Retelling the Ramayana in South India and Southeast Asia✨ Manipal Academy of Higher Education MAHE Bengaluru Parul Pandya Dhar #MUP #copublished #copublishing #ScopusIndexed #Multivalence #southindia #Routledge #TaylorAndFrancis #MAHE