The Private Library(@PLAbooks) 's Twitter Profileg
The Private Library

@PLAbooks

The Private Libraries Association - an international society of book collectors and publishers. Registered charity number 1052063.

ID:3012137260

linkhttp://plabooks.org calendar_today02-02-2015 12:26:05

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The Private Library(@PLAbooks) 's Twitter Profile Photo

Considering Collation: Decoding the Formula (2) | Beehive By Dan Hinchen, Reader Services Massachusetts Historical Society. Here’s how to understand the language of collation. masshist.org/beehiveblog/20…

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Adrian Streete(@profastreete) 's Twitter Profile Photo

I’m pleased to say that English Literature at the University of Glasgow are advertising two new permanent posts. Applications for the James Murray Beattie Lectureships in Victorian Literature, and in Fantasy Literature, close on 6th May 24. More info here: gla.ac.uk/explore/jobs/

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Dr Alison Ray(@liber_ray) 's Twitter Profile Photo

In honour of the upcoming Bodleian Libraries Franz Kafka exhibition, I visited sone Kafka sites in Prague including the house he lived in between 1916-17 and is now a bookshop! 📖

In honour of the upcoming @bodleianlibs Franz Kafka exhibition, I visited sone Kafka sites in Prague including the house he lived in between 1916-17 and is now a bookshop! 📖
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James Freemantle(@StJamesPrkPress) 's Twitter Profile Photo

The Beauty of Byrne will make use of two English papers: handmade Barcham Green paper (watermarked Hayle 115gsm laid paper) and Somerset paper made at St Cuthberts Mill (100% cotton 160gsm mould-made). The former no longer exists; the latter has been going since the 1700’s.

The Beauty of Byrne will make use of two English papers: handmade Barcham Green paper (watermarked Hayle 115gsm laid paper) and Somerset paper made at St Cuthberts Mill (100% cotton 160gsm mould-made). The former no longer exists; the latter has been going since the 1700’s.
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James Freemantle(@StJamesPrkPress) 's Twitter Profile Photo

Hand-setting Van Krimpen’s extremely rare (14pt) Haarlemmer Italic and Roman… the first steps towards ‘The Beauty of Byrne’ edition. This is freshly cast by @nomadtypefoundry so has never seen ink before!

Hand-setting Van Krimpen’s extremely rare (14pt) Haarlemmer Italic and Roman… the first steps towards ‘The Beauty of Byrne’ edition. This is freshly cast by @nomadtypefoundry so has never seen ink before! #typesetting #typedesign #typematters #typography #metaltype #font
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LCollie(@museumlynn) 's Twitter Profile Photo

Last weekend of the exhibition Ashmolean Museum. Tickets available for this evening and tomorrow, but hurry, as they are selling fast! 🎟🖼🏛

Last weekend of the #ColourRevolution exhibition @AshmoleanMuseum. Tickets available for this evening and tomorrow, but hurry, as they are selling fast! 🎟🖼🏛
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Topping & Company Booksellers of Edinburgh(@ToppingsEdin) 's Twitter Profile Photo

Our event with Philip Ball is only a couple of days away and almost fully booked! Make sure to secure your place while there are still some available, and join us for a talk on How Life Works: A User's Guide to the New Biology.

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John Hodgson(@JohnHodgsonUoM) 's Twitter Profile Photo

Without doubt, the largest, most complex and ambitious conservation project ever undertaken John Rylands Research Institute and Library, thanks to National Manuscripts Conservation Trust. Congratulations to our brilliant Collection Care team and everyone involved.

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Richard Morris(@ahistoryinart) 's Twitter Profile Photo

'A Young Breton.' (1917) Glyn Philpot was not only one of the most gifted portrait painters in a long British tradition, but also an original and sensitive artist, his work has a recognisably individual beauty of technique; a virility of style and concept.

'A Young Breton.' (1917) Glyn Philpot was not only one of the most gifted portrait painters in a long British tradition, but also an original and sensitive artist, his work has a recognisably individual beauty of technique; a virility of style and concept.
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The Private Library(@PLAbooks) 's Twitter Profile Photo

Scholten Japanese Art | Exhibition | Paul Binnie - 30 Prints for 30 Years of Printmaking scholten-japanese-art.com/thirty_index.p…

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James Freemantle(@StJamesPrkPress) 's Twitter Profile Photo

I don’t usually consider asking contributing artists to sign the editions I print and publish, but given ANIMAL FARM has twenty-one separate illustrations all by a single artist, more than one would usually expect in an edition, it seemed a good time to start.

I don’t usually consider asking contributing artists to sign the editions I print and publish, but given ANIMAL FARM has twenty-one separate illustrations all by a single artist, more than one would usually expect in an edition, it seemed a good time to start.
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James Freemantle(@StJamesPrkPress) 's Twitter Profile Photo

Extremely pleased that ANIMAL FARM is already gaining some recognition, as the main eleven linocut illustrations commissioned for the edition were chosen to be exhibited within ‘Storytellers’, on show at the Beaney The Beaney now

Extremely pleased that ANIMAL FARM is already gaining some recognition, as the main eleven linocut illustrations commissioned for the edition were chosen to be exhibited within ‘Storytellers’, on show at the Beaney @The_Beaney now
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Graham Moss(@Inclinepress) 's Twitter Profile Photo

Thank you! It's been a long time coming, over three years in the making, and a huge amount of work, but how often do any sort of librarians get their due praise, especially Special Collections librarians? Glad to have done it!

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