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Offscreen

@offscreen2

Offscreen is the longest running online monthly film journal, active since 1997. We write about engaged, personal, challenging film. Film Matters.

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linkhttp://www.offscreen.com calendar_today24-08-2013 05:00:19

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zoom-out.ca/view/the-comic… Wonderful new video essay by Ryan Barnett on the parallels between Dziga Vertov's The Man With a Movie Camera and Buster Keaton's The Camerman.

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zoom-out.ca/view/lextrait-… New Extract of the Week on our affiliate website Zoom Out, Adrian Martin's pick of Meet Me in St. Louis..

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offscreen.com/view/fantasia-… Only 11 days to go. Frédéric St-Hilaire gives us a tease of what to expect at the 2020 Fantasia Festival.

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Doug Buck continues on the dusty outback roads of Aussie land's post-apocalyptic hero Mad Max, with Mad Max Beyond Thunderdome (George Miller & George Ogilvie, 1985). offscreen.com/view/mad-max-b…

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offscreen.com/view/the-venge… Buck returns once again to the spy-espionage-James Bondish-Sci-fi world of Dr. Mabuse, from Jesús Franco, The Vengeance of Dr. Mabuse.

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offscreen.com/view/itas-a-wo… Doug Buck wishes us all a Merry Christmas in his own way, with a review of a holiday classic.

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offscreen.com/view/dr-orloff… One can never really get enough of Jesus Franco, so Doug Buck obliges with another film loosely aligned in his all things Mabuse, Dr. Orloff’s Monster (aka, The Mistresses of Dr. Jekyll) (Jess Franck, aka, Jesús Franco, 1964)

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offscreen.com/notes/view/fil… Daniel Garrett looks ahead to some major film festivals of 2023, and the importance of film festival culture.

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Peter Rist offers his thoughts on the lack of real diversity when it comes to voting critics in the Sight & Sound 2022 Decennial Best Films Poll.