zoom-out.ca/view/the-comic… Wonderful new video essay by Ryan Barnett on the parallels between Dziga Vertov's The Man With a Movie Camera and Buster Keaton's The Camerman.

zoom-out.ca/view/lextrait-… New Extract of the Week on our affiliate website Zoom Out, Adrian Martin's pick of Meet Me in St. Louis..

New extract of the week on Zoom Out, on Down by Law. zoom-out.ca/view/lextrait-…

offscreen.com/view/fantasia-… Only 11 days to go. Frédéric St-Hilaire gives us a tease of what to expect at the 2020 Fantasia Festival.

Just in time for Fantasia 2020, Offscreen presents its big all-Fantasia issue: offscreen.com/issues/view/vo…

Oops, forgot the link: offscreen.com/issues/view/vo…

Doug Buck continues on the dusty outback roads of Aussie land's post-apocalyptic hero Mad Max, with Mad Max Beyond Thunderdome (George Miller & George Ogilvie, 1985). offscreen.com/view/mad-max-b…

offscreen.com/view/the-venge… Buck returns once again to the spy-espionage-James Bondish-Sci-fi world of Dr. Mabuse, from Jesús Franco, The Vengeance of Dr. Mabuse.

offscreen.com/view/itas-a-wo… Doug Buck wishes us all a Merry Christmas in his own way, with a review of a holiday classic.

offscreen.com/view/dr-orloff… One can never really get enough of Jesus Franco, so Doug Buck obliges with another film loosely aligned in his all things Mabuse, Dr. Orloff’s Monster (aka, The Mistresses of Dr. Jekyll) (Jess Franck, aka, Jesús Franco, 1964)

offscreen.com/view/cicely-ty…. Daniel Garrett's appreciation of African American women performers.

New issue on Cult Cinema offscreen.com/issues/view/vo…

New double issue looking at some key black filmmakers since the 1970s. offscreen.com/issues/view/vo…

offscreen.com/notes/view/mic… Canada's greatest artist of the 20th century Michael Snow, passes away at age 94.

offscreen.com/notes/view/fil… Daniel Garrett looks ahead to some major film festivals of 2023, and the importance of film festival culture.

offscreen.com/notes/view/gin…

Edward R. Pressman, RIP offscreen.com/notes/view/edw…

Peter Rist offers his thoughts on the lack of real diversity when it comes to voting critics in the Sight & Sound 2022 Decennial Best Films Poll.

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