Gradient 159 lends this strange combo to inform the sixth of eleven of the sixth character. Its so bright an bright on the left, and dark leaning towards cool on the right that it feels like two separate places. Which was the point of the 3:1 aspect ratio Gradients, after all.

Gradient 41 informs Cohesion 41

Dependence 6 and its parent Gradient 246. Mega chill.

Expansion is symbolic of the geographic spread and cultural exchange. Made of 32 tiles that are each 32x32, these are created and inscribed in a way such that they appear to be related when viewed on ordinals.com (or any four-wide viewer). Each piece used its

Dichotomy 2 and its inspo Gradient 254. As we near the end of the story the palette inspiration becomes less visible in the pieces themselves, which is on purpose.

Warp 1 with corresponding Gradient 249 here.

Once we expanded into distinct and evolving geographic patches, we began to adopt agricultural, industrial and medicinal practices that had a variety of consequences. These are represented by the Impact series of 16 pieces. Another abstract series-- there's no clear telling

We exist, we spread, we develop narratives, we progress, and through all of this we become interdependent. Dependence represents our opting into a system where no single can entity can perform most tasks solo. In order to make even a simple chair requires many manufacturing

Then we hit the social media era. And subsequently the short-form content era. In 2016, it's confirmed we've entered a time-Warp. Each of these pieces is exactly 1/16th the resolution of an iPhone 5s [or SE1] LCD screen, which was the phone that facilitated the strongest part of

Polarization emerges into a perpetual battle of indiscernable and unwinnable Dichotomy. Everyone takes a side on everything, and they're all forever fighting. Opinions emerge from and land on the internet. But despite the polarity, everything balances out to the middle, as big

Maybe Singularity is reached when communication is so fast and geography so irrelevant that we move as a hive despite feeling individual. Maybe the extremes are no longer possible, and what keeps them separate is the barrage of overlapping individual motions getting tighter and