Wondering if you can thrive as an indie colorist in 2025? Explore financial tips, transition strategies, and insights from professionals Katie Hinsen, Billy Causey, Bernd Klimm, and Patrick Inhofer. mixinglight.com/color-grading-…

Learn to craft 3D metallic logos with 1980s Quantel Paintbox techniques. Post-production expert Igor Riđanović shows you how to clean scans, build mattes, and paint glorious golden gradients. mixinglight.com/color-grading-…

Mixer Sam Lowe explores how audio and video pros use similar terms. Learn effective communication to collaborate using the language you know. mixinglight.com/color-grading-…

Explore the Neat Video 6 noise reduction workflow in this roundtable. Learn profiling tips, GPU boosts, and examples for your best results from Neat Video software developer Tim Chistyakov and Mixing Light contributors Jason Bowdach and Billy Causey. mixinglight.com/color-grading-…

Dive into planar tracking basics in Resolve Fusion with VFX Artist Bernd Klimm. Tackle occlusions, choose modes, and streamline your workflows for precise VFX inserts. mixinglight.com/color-grading-…

Unlock and level up your pro post-sound workflow in Fairlight with a template for mixes and stems. Learn signal flow, VCAs, and deliverables from Sound Engineer and Mixer Sam Lowe. mixinglight.com/color-grading-…

Finisher and VFX Artist Igor Riđanović shows you how to animate retro metallic logos in Fusion with light sweeps, bevel rotations, and handmade sparks. Learn some 1980s techniques for flashy VHS glitz. mixinglight.com/color-grading-…

Ever wonder how loudness standards can enhance your audio mix? Or why understanding LUFS is crucial for modern post-production professionals? Sound Engineer Sam Lowe answers these questions! mixinglight.com/color-grading-…

Colorist Rafael Bernabeu offers insight into how to master DaVinci Resolve's contrast tools, including Primary Wheels vs. HDR controls, pivot points in stops, and why you should avoid RAW tab contrast adjustments. mixinglight.com/color-grading-…

VFX artist Bernd Klimm teaches you how to choose between the Translation, Affine, or Perspective tracking modes in Fusion's Planar Tracker. mixinglight.com/color-grading-…

Learn how colorist Billy Causey calibrated projectors and graded on location for a museum exhibit where the room is the final output device. mixinglight.com/color-grading-…

Discover ComfyUI's local AI image and video generation with colorist and finisher Igor Riđanović. Learn node-based workflows, privacy benefits, and whether it's right for your workflow. mixinglight.com/color-grading-…

IBC 2025 reveals Nikon RED's $2.2K camera, ProRes RAW in Resolve, why your calibrated displays might deceive you, and expert colorist insights. mixinglight.com/color-grading-…

Patrick Inhofer tells post pros what you need to know about Apple Immersive Video in DaVinci Resolve Studio - operational essentials from Blackmagic's official guide. mixinglight.com/color-grading-…

Learn from VFX artist Bernd Klimm how to track your non-planar surfaces (ie, clouds) using Fusion's Planar Tracker. Discover when Affine beats Perspective and stabilize-paint tips. mixinglight.com/color-grading-…

Learn how frequency separation preprocessing enables effective planar tracking on semi-transparent surfaces (such as glass) in Resolve Fusion. VFX artist Bernd Klimm shows you how. mixinglight.com/color-grading-…

Explore Resolve 20.2's new Secondary Glow, Atmosphere controls, and AI Cinematic Haze with Colorist & Finisher Jason Bowdach. Can these updates rival paid Glow and Haze plugins? mixinglight.com/color-grading-…

Master loudness measurement in Resolve, Pro Tools, and Audition. Learn LUFS standards for YouTube, Netflix, and broadcast delivery specs from Sound Mixer Sam Lowe. mixinglight.com/color-grading-…

Secure your ComfyUI installation with WSL 2 and Ubuntu. Finisher and colorist Igor Riđanović shows you how to sandbox AI tools from malware using virtual machines on Windows. mixinglight.com/color-grading-…

Learn a reliable DIT workflow using ShotPut Pro for verified offloading and DaVinci Resolve for creating formatted proxies with on-set LUTs. This insight is by our newest contributor, Amanda Arismendez. mixinglight.com/color-grading-…