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when I mention Arby’s, you’re likely already picturing a specific location maybe one down the street, or that you went to growing up, maybe it’s not even there anymore this is your “Mind Arby’s” and with training you can go to this Arby’s at any time and from any place

This is what's happening in New Jersey

A Street in Winter (c. 1905-10) by Jakub Schikaneder (Bohemian artist, lived 1855-1924). A solitary soul shuffles down a snow-dusted street in a city, likely inspired by Prague.

Walter Benjamin would HATE how you guys are using “aura.”

Eyes On The South | The Encroaching Tangle | Ashleigh Coleman oxfordamerican.org/eyes/the-encro…

MTC January Read: John Berger’s WAYS OF SEEING. Discussion led by @farahbakaari & Bekah Waalkes. This reading group is hosted in connection to our upcoming forum “Seeing and the Gaze” to be published in late January. More information in our website: mid-theory.com/reading/

Criticism is a *friend* of art-making, btw, not an enemy. Entered into in good faith (which ik is not always the case, esp. w/ marginalized artists), it serves, at the very least, epistemological purpose—trying to make •meaning• of/from a work.

thepointmag.com/forms-of-life/…

Walter Benjamin has just heard about ‘aura farming’

The melancholy of the finest Greek statues is the presentiment that the Logos that animates them will be broken into fragments.

Why do cultural crit essays all end like We will have to create communism together, with dreaming, and dreaming will create what we can see. Only through seeing will we see the world that is to come. And with dream-seeing, we see now the world we dream of, half-trembling, bright.

What's the best Denis Johnson poem and why is it this one?

that which withers in the age of mechanical reproduction is the aura of the work of art?