Final CILAVS Birkbeck #Chile50 screening at BIMI on Friday 15 December 🍿🎬📽️🎞️🇨🇱 The Wolf House (Joaquin Cocina & Cristobal Leon, 2018), presented by Daniela Paz Larraín and Margarita Palacios Free!! Register: bbk.ac.uk/events/remote_…

Exciting Call for Papers & Video Essays: II International Permanent Seminar Intersecting Perspectives on Spanish Media: Women and Horror Deadline for Proposals: 15 February 2024 More here: eventos.uc3m.es/107852/section…

Nos deja #ConchaVelasco, gran estrella y clave en la modernización de las representaciones de las mujeres en el cine español. La homenajearemos en nuestro número 12 con esta pieza de Asier Gil, investigador de Instituto del Cine Español UC3M vimeo.com/885707342

In issue 12 of tecmerinrevista nadia_mcgowan explores how Generative Artificial Intelligence envisions Ibero-American cities through in her work "Cities of Ibero-America as seen by Artificial Intelligence" #tecmerin #cities #videoessay See here: tecmerin.uc3m.es/project/cities…

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My book, Paid to Care: Domestic Workers in Contemporary Latin American Culture, is officially out today with University of Texas Press 🎉📚 Here’s a Q&A I’ve answered about it for more info: utpress.utexas.edu/blog/2024/01/2…

The book looks at films that Latin Americanist and Film Studies colleagues might teach, like Roma, The Second Mother, La nana, Santiago and others LASA FILM STUDIES SLAS Society for Latin American Studies QMULSLLF QMUL ModernLanguages CRoLAC

If you're in Bristol on 31 Jan, come along to the UK premiere of Invisible, a short documentary about domestic workers' challenging commutes in Colombia: eventbrite.co.uk/e/invisible-20… Bristol SML Department of HiPLA MigrationMobilitiesUoB maud perrier @BristolFTV Nariman 🇵🇸

I learned a lot:

📢Announcing new FREE Workshop for UK based LatAm scholars struggling to publish/present their research in their second language! Join us and the amazing Paola Villavicencio Calzadilla (she/her/ella) in a conversation to explore the barriers we face and how we can overcome them.

This week at Mediático we mark the passing of Catalan filmmaker Ventura Pons with a tribute written by Santiago Fouz Hernández, Professor in the School of Modern Languages at Durham University. reframe.sussex.ac.uk/mediatico/2024… cc BigasLunaTribute

Thank you Mediático for posting and for remembering Ventura Pons

Gracias por esta oportunidad de recordar a Ventura Pons 🫶🏻

Doing Women’s Global Horror Film History at MAI: Feminism and Visual Culture - a video essay focus issue, with lots of Spanish and Portuguese language scholarly content, and also subtitled throughout in those languages 🔥❤️

As part of the SLACextras takeover of Mediático, we are delighted to continue with a manifesto* in which Prof. Deborah Shaw reflects on the growth of, and critical response to, women’s filmmaking in Latin America. reframe.sussex.ac.uk/mediatico/2024…

We continue this SLAC extras take-over of Mediático with an excellent essay by Barbara Zecchi, which focuses on recent films directed by young female filmmakers centred on the representation of older women. reframe.sussex.ac.uk/mediatico/2024…

We continue this SLACextras takeover of Mediático with a piece on Latin American women's filmmaking by Deborah Martin, which takes as its starting point B Ruby Rich’s ” ‘revisionist history’ of the male-associated New Latin American Cinema.” reframe.sussex.ac.uk/mediatico/2024…

Continuing with this SLACextras takeover of Mediático we present Guy Wood’s post exploring the figure of the wild women in José Luis Borau’s Furtivos (1975) and Luis Berenguer’s El mundo de Juan Lobón (1967). reframe.sussex.ac.uk/mediatico/2024…

Continuing with this SLACextras takeover of Mediatico we present Maria B. Clark’s examination of a feminine gaze and its representation through the cinematography of the fantastic in Las vidas posibles/Possible Lives(2006) and La marea/The Tide (2007). reframe.sussex.ac.uk/mediatico/2024…