My latest music video for the amazing Sola Akingbola - Touch My Soul youtu.be/C0uJGp9NvbI?fe…

I love this opening title sequence from Borderline. It has Evil Rothko vibes. The jolts of colour are like electrical short circuits or misfiring synapses. It’s the perfect opener for a dystopian postmodern love story.

For a stupendous shot, see The Sympathizer Episode 3, and skip to 55:10. Park Chan Wook at his greatest. #cinema #beauty #storytelling

Solá Akingbolá - Touch My Soul youtu.be/C0uJGp9NvbI?si… via YouTube #newalbum

finally, astrology for perverts

Hej #Danmark #Norge #Sverige og #Finland! Min prisbelønnede debutspillefilm 'Borderline' er ENDELIG kommet ud flere steder her i de Skandinaviske lande. Filmen kan nu ses på SFAnytime, YouTube, Apple TV, Amazon, Altibox, TV2 Norway, mm. God fornøjelse!!

Cries in the lane and a knock at the door… Me for UnHerd unherd.com/2024/12/why-ir…

What the Byzantines thought of Britain, according to Macaulay: a horrifying serpent-filled otherworld, where the souls of the Franks were ferried after death

We've just submitted my new short film 'The Sound of Others' to @odensefilmfest. Cross fingers for us!

The Wolf of Wall Street (1929) is today believed to be a lost film. The only part of the movie known to still exist is this brief montage sequence created by Slavko Vorkapić

@Culture_Crit Hidden history

‘With just a single, frictionless prompt each of us becomes the world-builder of our own private universe.’ Ghiblification is just the start. @louiselton96👇 buff.ly/bjmLUfu

Superb article by Boyd Tonkin unherd.com/2025/05/the-st…

Q: Does it apply to foreign films filmed abroad? If so, we just won’t see those. Q: Wondering how you calculate the “100% tariff”? 100%*production budget spent overseas? I think that means that most films that need those credits and lower costs just won’t get made. Most will

Come and join the conversation in Salisbury, on May 29. wiltshirecreative.co.uk/events/an-audi…

Delighted to share that my short film 'Lyden af Andre' / 'The Sound of Others' has been selected for the Odense Film Festival OFF - Odense International Film Festival . Cross fingers for us!

I've been chipping away for a while on a Guardian Long Read about how Netflix and other streamers' algorithms and data are shaping cinema. I'm looking to chat to directors, producers and writers about their experiences with these companies - on or off the record. Anyone keen ?

Fascinating, and awesome that someone is thinking deeply on this level: Can Hollywood Escape an Oligopoly Outcome?, by Roy Price open.substack.com/pub/pricepoint…

Only on X...

Someone give this man $5 million... open.substack.com/pub/pricepoint…