George Benson - Beyond the Blue Horizon, 1971

It was his first album released by CTI and included organist Clarence Palmer, drummer Jack DeJohnette, bassist Ron Carter, and percussionists Michael Cameron and Albert Nicholson.

Let's Hide Away and Dance Away with Freddy King, 1961

Is a 1961 instrumental album by Freddie King. Released on King Records, the album contained a number of influential songs and two hit singles, 'Hide Away' and 'San-Ho-Zay'.

Peter Tosh - Mystic Man, 1979

Is the fourth album by Peter Tosh. It was released in 1979 by Rolling Stones Records (his second album for the label), EMI, and Intel Diplo (in Jamaica).

Eric Clapton - 461 Ocean Boulevard, 1974

Is the second solo album by Eric Clapton. It was released after the RSO Records released the hit single 'I Shot the Sheriff'. The album was Clapton's return to the recording studio after a three-year hiatus.

Carole King - Music, 1971

Is the third album by Carole King. The album is a continuation of the style laid down in Tapestry. The album hit No. 1 on New Year's Day 1972 and stayed there for three consecutive weeks.

The Lovin' Spoonful - Daydream, 1966

Is the second album by the Lovin' Spoonful. It features two hits, 'Daydream' and 'You Didn't Have to Be So Nice'.

The Young Rascals - Groovin', 1967

Is the third album by The Young Rascals. The album began the Rascals' first forays into the psychedelic genre that they would explore further on Once Upon a Dream.

Faces - A Nod Is As Good As a Wink... to a Blind Horse, 1971

Is the third album by Faces, and their second album of 1971. It also contains their biggest US hit, 'Stay with Me'.

The Spencer Davis Group - The Second Album, 1966

The album included Jackie Edwards' 'Keep on Running', which gave the group their first U.K. number 1 single and the R&B standard 'Georgia on My Mind'.

Savoy Brown - Blue Matter, 1969

Is the third album by the Savoy Brown. Teaming up once again with producer Mike Vernon, it finds them experimenting more within the blues framework. This album featured a mix of live and studio recordings

Grateful Dead - Anthem of the Sun, 1968

Is the second album by Grateful Dead. The album was assembled through a collage-like editing in which disparate studio and live performance tapes were spliced together to create new hybrid recordings.

Country Joe and the Fish - I-Feel-Like-I'm-Fixin'-to-Die, 1967

Is the second studio album by Country Joe and the Fish. The title track remains one of the most popular Vietnam protest songs from the 1960s .

Roy Orbison - Lonely and Blue, 1961

Is the debut studio album by Roy Orbison. The album was recorded at RCA Studio B using two- and three-track tape machines.

The Rolling Stones - Let It Bleed, 1969

Released during the band's 1969 American Tour, it is the follow-up to Beggars Banquet (1968), and like that album is a return to the group's more blues-oriented.

The Supremes - Meet The Supremes, 1962

Is the debut album by The Supremes (Diana Ross, Mary Wilson, Florence Ballard, and Barbara Martin). Includes the group's earliest singles: 'I Want a Guy', 'Buttered Popcorn', 'Your Heart Belongs to Me' and 'Let Me Go the Right Way'.

The Temptations - Cloud Nine, 1969

Is the ninth studio album by The Temptations. It marked the beginning of the Temptations' delve into psychedelic soul under the direction of producer Norman Whitfield.

Cat Stevens - Catch Bull at Four, 1972

Is the sixth album by Cat Stevens. Catch Bull at Four was well received both commercially and critically. The song 'Sitting' was released as a single in July 1972, reaching 16 on the Billboard Hot 100.

Albert King - Live Wire/Blues Power, 1968

In 1968, King was performing at Ike Turner's Manhattan Club in East St. Louis when promoter Bill Graham offered him $1,600 to play three nights at The Fillmore Auditorium in San Francisco. He released the album Live Wire/Blues Power.

Bob Dylan - Bringing It All Back Home, 1965

Is the fifth studio album by Bob Dylan. In a major transition from his earlier sound, it was Dylan's first album to incorporate electric instrumentation.