Parmar, V. (@lost_history1) 's Twitter Profile
Parmar, V.

@lost_history1

Cogent arguments only.

ID: 956168338740199424

calendar_today24-01-2018 14:14:31

8,8K Tweet

17,17K Followers

2,2K Following

Parmar, V. (@lost_history1) 's Twitter Profile Photo

Some compound phrases used for Numeration in #Ṛgveda - "त्रिसप्तैः" - 3*7 = 21 "तिसॄणां सप्ततीनाम्" - 3*70 = 210 "सप्त शतानि विंशतिः" - 720 "त्रिः सप्त सप्ततीनाम्" - 3*7*70 = 1470 "षष्टिं सहस्रा नवतिं नवं" "त्रिः षष्टिः" etc Numeration had always been of interest in #Bhārata.

Some compound phrases used for Numeration in #Ṛgveda -

"त्रिसप्तैः" - 3*7 = 21
"तिसॄणां सप्ततीनाम्" - 3*70 = 210
"सप्त शतानि विंशतिः" - 720
"त्रिः सप्त सप्ततीनाम्" - 3*7*70 = 1470
"षष्टिं सहस्रा नवतिं नवं"
"त्रिः षष्टिः" etc

Numeration had always been of interest in #Bhārata.
Parmar, V. (@lost_history1) 's Twitter Profile Photo

#शतमन्यु (Śatamanyu) is an epithet for Indra-deva. चम्पूरामायणम् (Champu Ramayana), of Paramāra King Bhojadeva, compares Śrī #Rāma with #शतमन्यु (Indra-deva): "... शतमन्युसमानम् एवम् अग्रजम् अकथयत्।" ▪️शतमन्युसमानम् = इन्द्रतुल्यम् इति उपमा ▪️अग्रजम् = ज्येष्ठभ्रातरं श्रीरामम्

#शतमन्यु (Śatamanyu) is an epithet for Indra-deva.

चम्पूरामायणम् (Champu Ramayana), of Paramāra King Bhojadeva, compares Śrī #Rāma with #शतमन्यु (Indra-deva):

"... शतमन्युसमानम् एवम् अग्रजम् अकथयत्।"

▪️शतमन्युसमानम् = इन्द्रतुल्यम् इति उपमा
▪️अग्रजम् = ज्येष्ठभ्रातरं श्रीरामम्
Parmar, V. (@lost_history1) 's Twitter Profile Photo

Hemachandra wrote his monumental work on Grammar entitled "Śrī Siddha Hemachandra Śabdānuśāsana" during reign of Jayasiṃha Siddharāja (#Solanki Rajput). The Praśasti of this work mentions it was compiled at the request of Siddharāja for his understanding of Saṃskṛta #Grammar.

Hemachandra wrote his monumental work on Grammar entitled "Śrī Siddha Hemachandra Śabdānuśāsana" during reign of Jayasiṃha Siddharāja (#Solanki Rajput).

The Praśasti of this work mentions it was compiled at the request of Siddharāja for his understanding of Saṃskṛta #Grammar.
Parmar, V. (@lost_history1) 's Twitter Profile Photo

Ashokan Pillar at Feroz Shah Kotla fort has Saṃskṛta Inscription (1164 CE) of King: "चाहमान-तिलकः शाकंभरी-भूपतिः श्रीमद्-विग्रहराज", i.e., The ornament of Chāhamānas, the Śākaṃbharī king, the illustrious Vigraharāja. It was written by Śrīpati, a Kāyastha of Gauḍa descent.

Parmar, V. (@lost_history1) 's Twitter Profile Photo

Iron Pillar's surface (Qutub Complex) in below IMAGE: It shows excellent state of preservation of Brahmi inscription during reign of Chandragupta-II (Imperial Guptas). Later Nagari inscriptions on this pillar bear the dates VS 1109, VS 1572, VS 1580, VS 1767, VS 1883, VS 1888.

Iron Pillar's surface (Qutub Complex) in below IMAGE:

It shows excellent state of preservation of Brahmi inscription during reign of Chandragupta-II (Imperial Guptas).

Later Nagari inscriptions on this pillar bear the dates VS 1109, VS 1572, VS 1580, VS 1767, VS 1883, VS 1888.
Parmar, V. (@lost_history1) 's Twitter Profile Photo

Many Chandella (Chandrātreya) inscriptions have initial phrase "चंद्रात्रेयनरेंद्राणां वंशश्चन्द्र इवोज्ज्वल" (The vaṃśa of Chandrātreya Kings is brilliant like the Moon). Also, the figure of Lakṣmī (or Gajalakṣmī) is scribed on top portion of many Chandella Rajput epigraphs.

Many Chandella (Chandrātreya) inscriptions have initial phrase "चंद्रात्रेयनरेंद्राणां वंशश्चन्द्र इवोज्ज्वल" (The vaṃśa of Chandrātreya Kings is brilliant like the Moon).

Also, the figure of Lakṣmī (or Gajalakṣmī) is scribed on top portion of many Chandella Rajput epigraphs.
Parmar, V. (@lost_history1) 's Twitter Profile Photo

"Brahmi is the true national writing of India, because all late Indian alphabets are descended from it, however dissimilar they may appear at the present day."

Parmar, V. (@lost_history1) 's Twitter Profile Photo

The ideal of the warrior is Indra-deva. In him the spirit of kshatra (क्षत्र) finds its widest application: He is the banner of the warriors. [Rigveda VIII.96.4] Rigveda [III.46.2] proclaims that he alone is the king of all the world. ("एको विश्वस्य भुवनस्य राजा") #Veda #Indra

The ideal of the warrior is Indra-deva. In him the spirit of kshatra (क्षत्र) finds its widest application:

He is the banner of the warriors. [Rigveda VIII.96.4]

Rigveda [III.46.2] proclaims that he alone is the king of all the world. ("एको विश्वस्य भुवनस्य राजा")

#Veda #Indra
Parmar, V. (@lost_history1) 's Twitter Profile Photo

Pṛthvīrājavijaya Mahākāvya (composed by Jayānaka in 1191-93 CE) talks abt archery skills of Pṛthvīrāja. Jayānaka metaphorically claims that acquiring skill of archery from Pṛthvīrāja shall render him unafraid of the divine. [यदि चापकौशलकलामवाप्नुयाममुतो भवेयमभयस्तदीश्वरात्]

Pṛthvīrājavijaya Mahākāvya (composed by Jayānaka in 1191-93 CE) talks abt archery skills of Pṛthvīrāja.

Jayānaka metaphorically claims that acquiring skill of archery from Pṛthvīrāja shall render him unafraid of the divine.

[यदि चापकौशलकलामवाप्नुयाममुतो भवेयमभयस्तदीश्वरात्]
Parmar, V. (@lost_history1) 's Twitter Profile Photo

"अप्पादेव्यामुत्पन्नः परंभगवती-भक्तो महाराज-श्री-भोजदेवो विजयी" - Victory to the son of Appādevī, the devout worshipper of Bhagavatī, the illustrious Mahārājā Bhojadeva of Pratihāra clan of Rajputs. #RajputSamratMihirbhojPratihar

"अप्पादेव्यामुत्पन्नः परंभगवती-भक्तो महाराज-श्री-भोजदेवो विजयी" - Victory to the son of Appādevī, the devout worshipper of Bhagavatī, the illustrious Mahārājā Bhojadeva of Pratihāra clan of Rajputs.

#RajputSamratMihirbhojPratihar
Parmar, V. (@lost_history1) 's Twitter Profile Photo

Karpurdevi, the mother of Prithiviraj Chauhan, was from the illustrious Rajput clan of Kalachuris of Tripuri. Ajmer propspered during the regency of queen Karpurdevi. ⬇️Karpurdevi crowns her son Prithiviraj in royal court of Ajmer, the imperial seat of Chauhan Rajputs during

Karpurdevi, the mother of Prithiviraj Chauhan, was from the illustrious Rajput clan of Kalachuris of Tripuri.

Ajmer propspered during the regency of queen Karpurdevi.

⬇️Karpurdevi crowns her son Prithiviraj in royal court of Ajmer, the imperial seat of Chauhan Rajputs during
Parmar, V. (@lost_history1) 's Twitter Profile Photo

Pandit Shri Harsha was a great scholar and court-poet of Maharaja Jayachandra (popularly called Jaichand, 12th century). Shri Harsha wrote Naishadhiya charita, one of the five traditional Mahākāvyas of Sanskrit literature, while in Jaichand's court. #History #Literature

Pandit Shri Harsha was a great scholar and court-poet of Maharaja Jayachandra (popularly called Jaichand, 12th century). 

Shri Harsha wrote Naishadhiya charita, one of the five traditional Mahākāvyas of Sanskrit literature, while in Jaichand's court.

#History #Literature
Parmar, V. (@lost_history1) 's Twitter Profile Photo

Bhojaraja, the revered Malwa King, was a beacon of wisdom. Before him, even the mightiest of men quaked in awe, and under his reign, the Earth was adorned with majestic temples. #AIArtwork #Parmar #Rajput

Bhojaraja, the revered Malwa King, was a beacon of wisdom. Before him, even the mightiest of men quaked in awe, and under his reign, the Earth was adorned with majestic temples.

#AIArtwork #Parmar #Rajput
Parmar, V. (@lost_history1) 's Twitter Profile Photo

Interesting. LLMs may not give accurate domain-specific answers. You can ask follow up questions (try "chain of thoughts" prompting). Also try giving more contextual information for your questions to get more reliable response. Cheers!

Yusuf A Ahmad Ansari یوسف انصاری (@yusufpore) 's Twitter Profile Photo

With Mughal history gaining global-popularity and its historiography far more accessible than ever before, it is often difficult to keep pace with constantly emerging research on this subject. Sandwiched as he is, between icons like Akbar and Shahjehān, the reign of India’s

With Mughal history gaining global-popularity and its historiography far more accessible than ever before, it is often difficult to keep pace with constantly emerging research on this subject.

Sandwiched as he is, between icons like Akbar and Shahjehān, the reign of India’s
ಚಯ್ತನ್ಯ ಗವ್ಡ (@ellarakannada) 's Twitter Profile Photo

Making Shivaji as a Pan Indian Icon is a phenomenon of 20th century politics. Shivaji was a Maratha King. That's how we should view him. How can you convince the ethnicities who bore the brunt of Maratha soldiers' atrocities to accept Shivaji as an Icon ? #OurLandOurHistory

ಎಸ್ ಶ್ಯಾಮ್ ಪ್ರಸಾದ್ | S Shyam Prasad (@shyamsprasad) 's Twitter Profile Photo

After obtaining support of Golkanda's Muslim ruler, Shivaji's "organised plunder and exaction," of Karnataka "peeled it to the bones". #ನಮ್ಮನಾಡು_ನಮ್ಮಇತಿಹಾಸ

After obtaining support of Golkanda's Muslim ruler, Shivaji's "organised plunder and exaction," of Karnataka "peeled it to the bones".
#ನಮ್ಮನಾಡು_ನಮ್ಮಇತಿಹಾಸ
Chandratreya-Narendrana Vamshe 🔱 (@madanavarman) 's Twitter Profile Photo

Mahārājādhirāja Dhangadeva Chandella commissioned a Shivalingam made of "Emerald stone". It's strange that such large stones weren't found India. As Cunningham reported in 1870s this lingam has now disappeared or Stolen.

Mahārājādhirāja Dhangadeva Chandella commissioned a Shivalingam made of "Emerald stone".

It's strange that such large stones weren't found India.

As Cunningham reported in 1870s this lingam has now disappeared or Stolen.