◤Good Soup NCEM Christmas Festival◢ an exploration of Molière’s world through words and music - and clowns! 📆Mon 12th Dec 7:30pm 📍National Centre for Early Music, #York 🎫 ow.ly/WPa650LERFF Director Klara Kofen Clowns/Actors Lizzy Shakespeare James Oldham

The ensemble and Good Soup company had a fun few days, bringing our show to NCEM Christmas Festival🎄 Thanks so much for those who came last night to see it & the fab team at NCEM♥️ Klara Kofen James Oldham Lizzy Shakespeare RachelWiseMovement

in the meantime please do share any good reports/comparative public arts funding models/interesting Arts Council histories/past valuation frameworks… I guess they must have an archivist

Today is quintidi 25 Nivôse in the year of the Republic CCXXXI, celebrating the cat.

This is tomorrow it is very fun, come if you're in london

Today we drink to Alastair Brotchie. Artist, ‘Pataphysician, writer, publisher, pub enjoyer, font specialist, collector, book lover, friend. 💔

Our final workshop in the series is tomorrow evening 6.30-9.30pm @LPSInitiative with Klara Kofen and James Oldham Follow the link for more info and to book a space londonperformancestudios.com/events/waste-p…

👁️ cover reveal 👁️ Catastrophe Time! out with Strange Attractor in May

London: Catastrophe Time! Book Launch this Sunday June 11 at 2pm, Goldsmiths! RSVP at catastrophe.eventbrite.co.uk

Hello! Catastrophe Time! is officially out today! You can buy it from The MIT Press @mitpress.bsky.social! You can get it in Target! 🌋🔮📉 Bahar Noorizadeh Klara Kofen Strange Attractor Kei @AslakAamot @embraburgess Robert Muir-Wood @bassem__saad NormalFontGuy24/7 Sam Ghantous Gaia Art Foundation AGYU

Thinking about C.Hill's 'the revolution that never was' and the points throughout history at which this counterfactual revolution came to the surface (euro.hist.). I got England 1640s, 2nd Constitution of the French Rev., 1848 in Germany, Paris Commune, Red Vienna...other points?

It's crazy how you can trace the entire history of capitalism via Ursula van der Leyen's family tree. She's like the ultimate incarnation of the bourgeoisie, a capitalist Muad'Dib

Only a few tickets left for our first event of the Term on Wednesday evening UCL! We are delighted to host @garyzhexizhang, Klara Kofen & our artist-in-residence Bahar Noorizadeh at the screening of Free to Choose: their operatic financial sci-fi (fi-fi)! ucl.ac.uk/institute-of-a…

At OpenLAB#03 we will be able to enjoy 'Admirer, or Revolutionary Sentiments', a performance by artists Bahar Noorizadeh and Klara Kofen, with Cameron Graham and Rudá Babau. OpenLAB#03 ➟ 9 and 10 feb ➟ Free admission until full capacity is reached. + medialab-matadero.es/en/activities/…

Yesterday's CCS discussion and film screening was a blast! Thank you to @garyzhexizhang, Klara Kofen & Bahar Noorizadeh for sharing their amazing work in a packed room. And look out for their operatic financial sci-fi (fi-fi) featuring Milton Friedman! opensystems.sg/os1/1/noorizad…

Exciting and original book alert: only a couple of chapters in and already so much good work in this one Bahar Noorizadeh @garyzhexizhang Klara Kofen

OK, this is a good opportunity to show the Arts Council what it means to fail to live up to an ethical mandate, court reputational risk, foster negative press and social media coverage.

Edward Said’s words from 35 years ago sound like they were written today: “I cannot understand how raw, naked evidence can be overridden by American intellectuals just because the ‘security’ of Israel demands it.” theguardian.com/world/2024/feb…

Somewhere in Tel Aviv, some artists are having deep discussions about the formal qualities of the Zone of Interest

“We have to be careful not to represent spirituality as a kind of 'inner well-being', in short, self-care to find harmony with the world … I want to be clear: being at peace with oneself, today, means going to war with the world.” Mario Tronti