This new Australian play by Finegan Kruckemeyer at @StateTheatreSA is a brilliantly executed three-act treat that suspends dramatic tension over a complex construction with the success of a perfectly balanced biodiverse ecosystem. limelightmagazine.com.au/reviews/hibern…

Big suits, big stakes and big lies collide in this exceptional revival of David Mamet's ageless classic. This tight, tense, roller coaster treat of a production is small theatre at its very best, writes Gordon Forester. limelightmagazine.com.au/reviews/glenga…

Hypocrisy, fallibility and misinformation collide in Jonathan Spector’s 'Eureka Day' at @StateTheatreSA. This is a poignant, divisive and turbulent satire that entertains and challenges in equal measures, writes Gordon Forester. limelightmagazine.com.au/reviews/eureka…

Catherine Fitzgerald's 'Dry' at @StateTheatreSA evokes a dark and dusty struggle for survival against the odds, writes @gordonforester. limelightmagazine.com.au/reviews/dry-st…

Ripper Gordon Forester

.Donmar Warehouse's Blindness at Adelaide Festival is a sound installation adaptation of the brilliant 1995 novel by José Saramago, and an immersive, challenging theatrical experience performed by one of Britain’s best actors, writes Gordon Forester. limelightmagazine.com.au/reviews/blindn…

.Strut & Fret's The Purple Rabbit at Adelaide Fringe sees a misdirection of magicians empty the hat with a unique blend of illusory entertainment, writes Gordon Forester. limelightmagazine.com.au/reviews/the-pu…

Music friends, I’m putting together something for Limelight Limelight for #InternationalWomensDay2022, listing special performances, recordings, broadcasts etc. If you have something planned - or know of something - put the details here and I’ll include it!

.Justine Clarke gives an utterly remarkable performance in this heart-rending one-woman play, produced by @StateTheatreSA and now playing at Adelaide Festival, writes Gordon Forester. limelightmagazine.com.au/reviews/girls-…

Playwright Caleb Lewis plunges us into the world of underwater cave diving in this tense, visceral thriller for State Theatre Company South Australia, writes Gordon Forester. @StateTheatreSA limelightmagazine.com.au/reviews/cathed…

Elena Carapetis's multi-media adaptation of Antigone at @StateTheatreSA is supercharged drama of conscience, writes Gordon Forester. @ElenaCaraSays Gordon Forester limelightmagazine.com.au/reviews/antigo…

Get along to see "Chalkface" by Angela Betzien or @StateTheatreSA & SydneyTheatreCompany will put you in the naughty corner. Adl: now-29 Aug. Syd: 15 Sep-29 Oct. bit.ly/3BTpCYT via Limelight

Angela Betzien's new play @StateTheatreSA is a study of bureaucracy, burnout and teachable moments. limelightmagazine.com.au/reviews/chalkf…

Four decades since its premiere, Larry Kramer's pioneering play is still beating strong in this powerful revival directed by Dean Bryant for the @StateTheatreSA. limelightmagazine.com.au/reviews/the-no…

A @StateTheatreSA and SydneyTheatreCompany co-production currently gracing Adelaide Festival – Edward Albee's Tony Award-winning The Goat, or Who is Sylvia? plumbs the depths of the moral low ground. No kidding. limelightmagazine.com.au/reviews/the-go…

The Questions (@StateTheatreSA) A highly polished theatrical production in which all the elements and their alchemists are in sync. Read the Limelight review: limelight-arts.com.au/reviews/the-qu…

5* Theatre Review: "The Questions" (@StateTheatreSA) by Van Badham 🥥 🌴 limelight-arts.com.au/reviews/the-qu… via Limelight at AdelaideFesCent until 17 August

★★★★★A manifestly dark, intense and complicated story illuminated by a stellar cast, clever direction and superb design at @StateTheatreSA. limelight-arts.com.au/reviews/jack-m…