Doctor. Fernando Pagnoni (@fernandopagnon3) 's Twitter Profile
Doctor. Fernando Pagnoni

@fernandopagnon3

Universidad de Buenos Aires, Argentina. All things horror
Instagram: @grupo.grite
Researcher on Baltic horror

ID: 1319045095228907525

calendar_today21-10-2020 22:38:03

3,3K Tweet

470 Followers

127 Following

Doctor. Fernando Pagnoni (@fernandopagnon3) 's Twitter Profile Photo

A genre-bending work of true crime and film history, Nothing to Fear: Alfred Hitchcock and the Wrong Men is a must-read not only for fans of Hitchcock, but also for anyone interested in the history and causes of wrongful convictions.

A genre-bending work of true crime and film history, Nothing to Fear: Alfred Hitchcock and the Wrong Men is a must-read not only for fans of Hitchcock, but also for anyone interested in the history and causes of wrongful convictions.
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This book follows Dracula's cinematic journey, exploring how he continues to tap into the ever-changing collective psyche of his viewers.

This book follows Dracula's cinematic journey, exploring how he continues to tap into the ever-changing collective psyche of his viewers.
Gabino Iglesias (@gabino_iglesias) 's Twitter Profile Photo

Holy shit, yesterday it was DARK in my head. Today there’s some light, and that’s all we need, right? Wishing you a bit of light today. Text a friend. Call your mom. Listen to some good stuff. Make art. Read (I have some recs!). Listen to the birds. Take care of yourself.

John Squires 🎃 (@freddyinspace) 's Twitter Profile Photo

Honestly? Don't see how you can be mad about this. While it's undeniably weird that Jason's big return has taken the form of an Angry Orchard-sponsored "vignette," SWEET REVENGE feels like a pretty damn good Friday fan short. Jason looks way better than the concept art here too.

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This book examines adaptations of G.K. Chesterton's Father Brown stories in film, radio and television, including portrayals by Alec Guinness, Kenneth More, and others, as well as German and Italian versions.

This book examines adaptations of G.K. Chesterton's Father Brown stories in film, radio and television, including portrayals by Alec Guinness, Kenneth More, and others, as well as German and Italian versions.
Doctor. Fernando Pagnoni (@fernandopagnon3) 's Twitter Profile Photo

The first walking guide to London’s role in the evolution of horror cinema, inspired by the city’s dark histories and labyrinthine architectures.

The first walking guide to London’s role in the evolution of horror cinema, inspired by the city’s dark histories and labyrinthine architectures.
Horror Losers (@horrorlosers) 's Twitter Profile Photo

La imagen de la semana: el creador de Michael Myers, el primer gran asesino del slasher, JOHN CARPENTER, de charla con ART THE CLOWN (David Howard Thornton), el asesino de la saga TERRIFIER. Ver para creer.

John Squires 🎃 (@freddyinspace) 's Twitter Profile Photo

Interesting stats sent over by Penguin Random House: "Horror is one of the fastest-growing categories in entertainment, and books are leading the charge. According to Circana Bookscan, the category is up 19% year-over-year across age groups from 2024 to 2025."

Interesting stats sent over by Penguin Random House: "Horror is one of the fastest-growing categories in entertainment, and books are leading the charge. According to Circana Bookscan, the category is up 19% year-over-year across age groups from 2024 to 2025."
DiscussingFilm (@discussingfilm) 's Twitter Profile Photo

Producer Oren Koules reveals the original plan for ‘SAW XI’ before Blumhouse gained the rights. “We had everybody in, including Synnøve [Macody Lund, who played villain Cecilia Pederson] coming back from Saw X. The script that we had was going to take place 30 seconds after Saw

Producer Oren Koules reveals the original plan for ‘SAW XI’ before Blumhouse gained the rights.

“We had everybody in, including Synnøve [Macody Lund, who played villain Cecilia Pederson] coming back from Saw X. The script that we had was going to take place 30 seconds after Saw
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An exploration of Gothic tourism's interweaving of site and story. This book investigates the relationship between contemporary Gothic tourist sites and Gothic fiction, contending that the tourist attractions are storytelling spaces

An exploration of Gothic tourism's interweaving of site and story. This book investigates the relationship between contemporary Gothic tourist sites and Gothic fiction, contending that the tourist attractions are storytelling spaces
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As an interruption of the present by the past, haunting can express contemporary anxieties concerning our involvement in the transformation of natural environments and their ecosystems, and our complicity in their collapse.

As an interruption of the  present by the past, haunting can express  contemporary  anxieties  concerning  our  involvement in the transformation of natural  environments and their ecosystems, and our  complicity in their collapse.
Doctor. Fernando Pagnoni (@fernandopagnon3) 's Twitter Profile Photo

Because the giallo film pushed the boundaries of film form while also touting unapologetic commercialism, the voices on its soundtracks were both aesthetically exaggerated and directly shaped by commercial imperatives, which were influenced by Italy's turbulent postwar years.

Because the giallo film pushed the boundaries of film form while also touting unapologetic commercialism, the voices on its soundtracks were both aesthetically exaggerated and directly shaped by commercial imperatives, which were influenced by Italy's turbulent postwar years.
Dawn Keetley (@dawnkeetley) 's Twitter Profile Photo

Awesome new indie bookstore in Brooklyn, devoted to #horror - The Twisted Spine. Opening in a couple of weeks timeout.com/newyork/news/n…

Doctor. Fernando Pagnoni (@fernandopagnon3) 's Twitter Profile Photo

By analysing representations of the female cyborg figure, the gynoid, in science fiction literature, television, film and videogames, the work acknowledges its normative and subversive properties while also calling for a new feminist politics of selfhood.

By analysing representations of the female  cyborg figure, the gynoid, in science fiction  literature, television, film and videogames, the  work acknowledges its normative and  subversive properties while also calling for a  new feminist politics of selfhood.