The Economist (@econculture) 's Twitter Profile
The Economist

@econculture

An account from @TheEconomist, focusing on books, arts, culture and related topics.

ID: 87410067

linkhttp://www.economist.com/culture calendar_today04-11-2009 10:39:37

49,49K Tweet

107,107K Takipçi

178 Takip Edilen

The Economist (@econculture) 's Twitter Profile Photo

Christopher Blattman identifies five “logical ways” why, despite the reasons to compromise, people opt to fight. They all map quite neatly onto the war in Ukraine econ.st/3v81cqK

The Economist (@econculture) 's Twitter Profile Photo

Why did Vladimir Putin, knowing the enormous costs, decide to invade Ukraine? The author of “Why We Fight” provides five rationales for war econ.st/38deFVo

The Economist (@econculture) 's Twitter Profile Photo

The vast majority of artists in “The Milk of Dreams” have never been shown in Venice before. The curator’s references to artists of the past, as shows-within-shows, is what gives this exhibition its heft econ.st/3LcUBBd

The Economist (@econculture) 's Twitter Profile Photo

His life and work has inspired teaching in school classrooms and universities as well as countless tributes to his music econ.st/3xKvcuI

The Economist (@econculture) 's Twitter Profile Photo

An album cover is an advertisement. Its purpose is to make you pick the record out of the racks. If it looks nice too, that’s an added bonus econ.st/3MuS2ux

The Economist (@econculture) 's Twitter Profile Photo

In China it is increasingly the camera-wielding crowd, not the experts, who determine the status of artworks econ.st/3EHpPxR

The Economist (@econculture) 's Twitter Profile Photo

How has the reputation of “The Angry Man of Jazz”, a figure prone to outbursts, managed to survive so well into the era of “cancel culture”? econ.st/3EBtPQi

The Economist (@econculture) 's Twitter Profile Photo

Galleries in China are appealing to social-media influencers to boost visitor numbers. This reopens old debates about the role and value of art econ.st/3xNKJdb

The Economist (@econculture) 's Twitter Profile Photo

Cecilia Alemani considers what artists today want to make, what ties them to creators of the past, and what people are hoping to see. There is not a single NFT or piece of virtual reality in sight econ.st/38hY56V

The Economist (@econculture) 's Twitter Profile Photo

Much like Americans themselves, the country’s sports teams seem to be moving to blossoming cities in the south and west econ.st/3vuwokw

The Economist (@econculture) 's Twitter Profile Photo

Both Seattle and Las Vegas are rumoured to be in the running for a professional basketball team should the National Basketball Association decide to expand econ.st/3vsyBN8

The Economist (@econculture) 's Twitter Profile Photo

When it was released 50 years ago, “The Wicker Man” may have been intended as a warning against indulging in arcane superstitions. Today the film seems like an advert for them econ.st/48yEuJj 👇

The Economist (@econculture) 's Twitter Profile Photo

Kim Stanley Robinson tells “Babbage” about the role of novels in bringing the story of environmental change to life; and how fact and fiction on this topic are quickly beginning to blur. Listen to the podcast: econ.st/3SIRWVY

Kim Stanley Robinson tells “Babbage” about the role of novels in bringing the story of environmental change to life; and how fact and fiction on this topic are quickly beginning to blur. Listen to the podcast: econ.st/3SIRWVY
The Economist (@econculture) 's Twitter Profile Photo

Donald Trump will be the next president of America. Wisconsin’s ten electoral-college votes put him on 277, passing the threshold of 270 needed to win the race econ.st/3NVYUnn

Donald Trump will be the next president of America. Wisconsin’s ten electoral-college votes put him on 277, passing the threshold of 270 needed to win the race econ.st/3NVYUnn