Review: Party Skills... MiF Festival is "a bizarre mix of club night, disaster movie and children’s birthday party" exeuntmagazine.com/reviews/review…

GUYS! We’ve opened applications for 2018’s Incoming Festival – please share far and wide: incomingfestival.com/applications-o…

As Pride approaches, here's why theatre needs to look beyond the 'G' in LGBT exeuntmagazine.com/features/lgbt-…

I really wanted to love this. Sadly, I really didn't love it. x.com/TheStage/statu…

A bit last minute, but would anyone like to come to Cotton Panic tomorrow night? I have an unexpected (and free!) spare ticket.

We are homeowners! And, more to the point, SHEDOWNERS! Benjamin Poore @tomcantrell1 Poppy Corbett Lucy Tyler @TomCornford

Back on Twitter and back writing about theatre. theguardian.com/stage/2017/sep…

(A bit of a lie: I've actually been doing lots of writing about theatre, but only Dan Rebellato is on Bluesky has been forced to read it.)

Academics: any advice about final few months of PhD-ing? Getting back on Twitter was a good move that definitely won't distract me, right?

'The church of the lost cause': inside Kneehigh's wild Cornish home theguardian.com/stage/2017/sep…

Rufus, Rupert, Edward... take note. Exeunt's writers suggest some female playwrights who deserve a wider audience exeuntmagazine.com/features/some-…

Review: Daniel Bye's Instructions for Border Crossing "carves out space for thought, for questioning" exeuntmagazine.com/reviews/review…

Three years I've been doing this PhD now, and I still seem to have just two work settings: blithe complacency and utter panic.

I know so many passionate & adventurous arts journalists – did the BBC even try to find someone who gives a shit? telegraph.co.uk/news/2017/09/1…

Nothing says "fuck it" to the day's thesis writing like adding "[make some conclusions]" at the end of a chapter section.

(Apologies to future me, to whom I've delegated the responsibility of working out what I actually think)