The Revolutionary Potential of a ‘Caribbean Future’ frieze.com/article/revolu…

Woot woot. Come show us what you're all about! facebook.com/charles.campbe…

My drum finally has a face

Opinion: A note to Western Canada: The rest of the country understands tough economic times theglobeandmail.com/business/comme…

$830 million! vancouversun.com/news/local-new…

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Isn't shelagh rogers the UVic Chancellor. Is she happy with UVic putting it's money into climate chaos?

RCMP commanders also instructed officers to “use as much violence toward the gate as you want” theguardian.com/world/2019/dec…

Well said! mcsweeneys.net/articles/every…

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Aug. 19, 1953: U.S. and Britain Topple Democratically Elected Government of Iran - Zinn Education Project zinnedproject.org/news/tdih/iran…

I can't resist photos.app.goo.gl/Mcr2KZsX7pyMjA…

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Opinion: No, those who defend the Wet’suwet’en territory are not criminals theglobeandmail.com/opinion/articl…

New project installed at yyj airport. #yyj #yyjartist #publicart instagram.com/p/B__rQp_jV-o/…

A few more @ Wil Aballe Art Projects - WAAP instagram.com/p/CG3o9nKjLvg/…

This is really neat— “Maroonscapes 1: Cockpit Archipelago” by Jamaican Canadian artist Charles Campbell. It’s a topographical representation of Jamaica’s Cockpit Country, where Maroons “used the natural terrain itself..to invade, evade the British.” CBC Toronto Art Gallery of Ontario

Artist Charles Campbell adds “Globalization got a big boost with slavery, sadly.” He says his piece is “a place where you can work through the ramifications of our ongoing exploitation of Black bodies and Indigenous lands.” See it now Art Gallery of Ontario Fragments of Epic Memory exhibit.

My heart breaks. Every journalist in the world needs to stand up and show their solidarity. If this man was a Western journalist this video would be all over our screens.