๐™ฑ๐š˜๐š‹๐š‹๐šข ๐šƒ๐š‘๐š˜๐š–๐š™๐šœ๐š˜๐š— ๐šƒ๐š›๐š’๐š˜+ (@bobbytproject) 's Twitter Profile
๐™ฑ๐š˜๐š‹๐š‹๐šข ๐šƒ๐š‘๐š˜๐š–๐š™๐šœ๐š˜๐š— ๐šƒ๐š›๐š’๐š˜+

@bobbytproject

๐™ฐ ๐š‹๐š•๐šž๐šŽ๐šœ-๐š›๐š˜๐šŒ๐š” ๐š‹๐šŠ๐š—๐š ๐š๐š›๐š˜๐š– ๐š๐šŒ ๐š ๐š’๐š๐š‘ ๐šŠ ๐šœ๐š’๐š—๐š๐šŽ๐š›-๐šœ๐š˜๐š—๐š๐š ๐š›๐š’๐š๐šŽ๐š› ๐š•๐šŽ๐šŠ๐š—

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linkhttp://www.bobbytmusic.net calendar_today03-12-2008 18:44:03

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Music Business (@advertising_biz) 's Twitter Profile Photo

๐ŸŽธ๐Ÿ”ฅDrop your #Music Links โ€œGood music is good no matter what kind of music it isโ€ - Miles Davis #spotifyplaylists #indiemusic #playlists #spotify #newmusic #unsignedartist #songwriter #unsigned #producer #hiphop #pop #singer #rock #EDM #dance #rap #nowplaying #indie #playlist

ChicagoBluesHistory (@chiblueshistory) 's Twitter Profile Photo

Muddy Waters cut โ€œI Canโ€™t Be Satisfiedโ€ for Aristocrat in 1947 with bassist Big Crawford at RCAโ€™s Chicago studio. It was his first electric hit and a bridge from Delta roots into Chicagoโ€™s postwar sound. Source: Aristocrat Records; Nadine Cohodas 1/๐Ÿงต

bluesharp (@bluezharp) 's Twitter Profile Photo

Remembering the legendary B.B. King๐Ÿ’™ on this day, what would have been his 100th birthday๐ŸŽ‚๐ŸŽ‰ w/ Gladys Knight '74. ๐ŸŽถ'The Thrill Is Gone'

Music Business Journal (@thembj) 's Twitter Profile Photo

๐ŸšจARTICLE CALL๐Ÿšจ Submit academic papers and articles using the link in our bio to be featured in future print editions! #academicjournal #printedition #musicjournalism

๐ŸšจARTICLE CALL๐Ÿšจ
Submit academic papers and articles using the link in our bio to be featured in future print editions!
#academicjournal #printedition #musicjournalism
Barack Obama (@barackobama) 's Twitter Profile Photo

Dโ€™Angelo was one of a kind. As a pioneer in neo-soul, he inspired a generation of singers, and helped shape music today. Michelle and I are thinking of his family, and all those who loved and admired him. nytimes.com/2025/10/14/artโ€ฆ

ChicagoBluesHistory (@chiblueshistory) 's Twitter Profile Photo

Playing Muddy Watersโ€™ โ€œChampagne and Reeferโ€ with a newly sober SRV, Guy folded the Texas blues into Chicagoโ€™s blues lineage. 13 months later Stevie was gone, but that night he was a bridge who reintroduced postwar Chicago tone to a new generation and helped Buddyโ€™s resurgence.

bluesharp (@bluezharp) 's Twitter Profile Photo

From left to right, (top row) Jimmy Rushing, T-Bone Walker, Sonny Terry, Muddy Waters and Brownie McGhee, with James Cotton at the front, backstage at the Apollo Theater in New York City, circa 1964. Photo by Don Paulsen

From left to right, (top row) Jimmy Rushing, T-Bone Walker, Sonny Terry, Muddy Waters and Brownie McGhee, with James Cotton at the front, backstage at the Apollo Theater in New York City, circa 1964.  
Photo by Don Paulsen
Robert Leroy Johnson (@robertjohnsonl) 's Twitter Profile Photo

#RobertJohnsonโ€™s playing style aka "The Robert Johnson Progression" was complex & hard to pin down & included the following: An insistent bass in quarters & shuffle-eighths Up-the-neck chords Chromatic movement Melodic fills in between vocal phrases Classic turnaround figures

#RobertJohnsonโ€™s playing style aka "The Robert Johnson Progression" was complex & hard to pin down & included the following:
An insistent bass in quarters & shuffle-eighths
Up-the-neck chords
Chromatic movement
Melodic fills in between vocal phrases
Classic turnaround figures