artforum(@Artforum) 's Twitter Profile Photo

Amy Taubin (amy taubin) on new work by Todd Haynes, Yorgos Lanthimos, Agnieszka Holland, Raven Jackson, Jean-Luc Godard, and more at the 61st New York Film Festival: artforum.com/columns/nyff-6…

Amy Taubin (@AmyOrNot) on new work by Todd Haynes, Yorgos Lanthimos, Agnieszka Holland, Raven Jackson, Jean-Luc Godard, and more at the 61st New York Film Festival: artforum.com/columns/nyff-6…
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Barbara Loden ( ) in WANDA (1970), a film that “can now be appreciated as a portrait of a kind of woman who, being no man’s fantasy, had almost never been seen on the screen before.”

Amy Taubin (amy taubin) criterion.com/current/posts/…

Criterion Channel — criterionchannel.com/wanda

Barbara Loden (#BOTD) in WANDA (1970), a film that “can now be appreciated as a portrait of a kind of woman who, being no man’s fantasy, had almost never been seen on the screen before.”

Amy Taubin (@AmyOrNot) criterion.com/current/posts/…

@criterionchannl — criterionchannel.com/wanda
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Screen Slate(@ScreenSlate) 's Twitter Profile Photo

We're humbled to share Amy Taubin's (amy taubin) Best Films of 2023 list, which was pulled from the December issue of Artforum in protest against the firing of the magazine’s great editor-in-chief David Velasco. screenslate.com/articles/amy-t…

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Film Comment Magazine(@FilmComment) 's Twitter Profile Photo

We were saddened to hear about the passing of filmmaker Michael Snow. To celebrate his life and career, revisit Snow's conversation with amy taubin, where he recalls a screening of NEW YORK EYE AND EAR CONTROL where he met Andy Warhol and Gerard Malanga: filmcomment.com/article/infini…

We were saddened to hear about the passing of filmmaker Michael Snow. To celebrate his life and career, revisit Snow's conversation with @AmyOrNot, where he recalls a screening of NEW YORK EYE AND EAR CONTROL where he met Andy Warhol and Gerard Malanga: filmcomment.com/article/infini…
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amy taubin(@AmyOrNot) 's Twitter Profile Photo

I pulled my ten best films list from the artforum December print issue and resigned as a contributor. David is a great editor but Penske doesn't care. Such a waste.

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MidCenturyCinema(@MidCenturyCinem) 's Twitter Profile Photo

I haven't see the movie (I lean amy taubin on the concept in gen), have no problem w/it, & no dog in this fight. But Mary Corey's takedown of Barbie in the new Cineaste Magazine is one of the greatest reviews I've ever read; you should check it out (& then read me on One False Move🙂)

I haven't see the movie (I lean @AmyOrNot on the concept in gen), have no problem w/it, & no dog in this fight. But Mary Corey's takedown of Barbie in the new @Cineaste_Mag is one of the greatest reviews I've ever read; you should check it out (& then read me on One False Move🙂)
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amy taubin(@AmyOrNot) 's Twitter Profile Photo

Please do not be humbled. I'm thrilled that this list is posted on Screen Slate, which boasts an extremely talented and discerning crew of young editors and writers, and is also an indispensable NYC listings site. See these movies

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The Daily(@CriterionDaily) 's Twitter Profile Photo

“Michael Snow: A Life Survey (1955-2020),” on view from tomorrow through December 16 Jack Shainman — jackshainman.com/exhibitions/mi…

Also! Amy Taubin (@AmyOrNot) on WAVELENGTH (1967) artforum (17’41”) youtu.be/kAPrsA_qXv8

“Michael Snow: A Life Survey (1955-2020),” on view from tomorrow through December 16 @JackShainman — jackshainman.com/exhibitions/mi…

Also! Amy Taubin (@AmyOrNot) on WAVELENGTH (1967) @Artforum (17’41”) youtu.be/kAPrsA_qXv8
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artforum(@Artforum) 's Twitter Profile Photo

“There were definitely new voices, many of them women’s, speaking openly and often about vaginas, placentas, and uteruses, words we’ve almost never heard before, even in horror films.” 
amy taubin on the 2023 Sundance Film Festival artforum.com/film/amy-taubi…

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The Daily(@CriterionDaily) 's Twitter Profile Photo

, Claire Denis!

“It has often seemed as if Denis makes films to break the taboo around women looking—the woman behind the camera and the women on the screen.”

Amy Taubin (amy taubin) criterion.com/current/posts/…

Criterion Channel — criterionchannel.com/directed-by-cl…

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IFC Center(@IFCCenter) 's Twitter Profile Photo

'People often ask me if there is a film that shows what New York was like in the ’60s, the ’70s, the ’80s, into the ’90s. Now there is: D. W. Young’s UNCROPPED.' @amyornot in Screen Slate about the essential film about photographer James Hamilton. Out now! screenslate.com/articles/uncro…

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Sight and Sound magazine(@SightSoundmag) 's Twitter Profile Photo

“I wanted to make this movie, because I liked feeling uncertain and displaced and unnerved. It’s the way movies are supposed to make you feel.”

Amy Taubin (amy taubin) interviews Todd Haynes on May December buff.ly/41b018r

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Sight and Sound magazine(@SightSoundmag) 's Twitter Profile Photo

“The illness in [Safe] is the best thing that happens to Carol. It’s the thing that kicks her out of unconsciousness, out of this unexamined life. I’m interested in how disease can do that.”

From May 1996: amy taubin interviews Todd Haynes bfi.org.uk/sight-and-soun…

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Screen Slate(@ScreenSlate) 's Twitter Profile Photo

Sundance vet amy taubin with a remote report on this year's festival, including the latest from Park City stalwarts Steven Soderbergh and Richard Linklater screenslate.com/articles/amy-t…

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artforum(@Artforum) 's Twitter Profile Photo

Artforum’s David Velasco talks with @AmyorNot about Michael Snow’s Wavelength (1967), from its making and meanings to her own role in this revelatory fixture of avant-garde film. Plus: the story behind the “Strawberry Fields Forever” musical cameo. artforum.com/video/amy-taub…

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