Choosing the right tool starts with understanding your workflow. If you're an editor or filmmaker working inside Premiere, Final Cut, or Resolve—you don’t need a full grading suite. You need speed, consistency, and results that look polished without leaving your timeline.

Colourlab AI Pro 3 — Perpetual License with 2 activations is now 40% off at B&H. From $995 down to $597 — instant electronic delivery. What’s included: – Gen3 ACES-native AI engine: automated neutral balance, exposure, color match & region match — in real time, up to 8K – Server

When your workflow is under pressure, your tools need to work harder—without slowing you down. That’s exactly what Colourlab AI Pro delivered for Picture Pod Studio. Their team didn’t just save time—they eliminated the manual grind of exposure and color matching, and shifted

Stills from my latest color-grading work for the Romanian feature film “Miorița. De la Capăt” Directed by Kazuma K.coman1 | DP: Sándor Szilárd For this project, we relied on @colourlab.ai’s FilmLab suite to achieve precise and cinematic film emulation. Why Colourlab AI Pro is a

ACES vs ARRI LogC: Can You See the Difference? We broke down one of the most nuanced yet crucial aspects of color grading: how your color space choice directly impacts image perception. In this scene breakdown from our latest episode of Colorist Meetup, Berlin-based colorist

Color Grading Isn’t Just Technical—It’s Pure Creative Alchemy In our latest Colorist Meetup episode, Berlin-based colorist Claudia Maneka Maharaj breaks the mold. What happens when you stop relying on presets—and start designing contrast curves, blending modes, and perceptual

CHROMATÓN Iberoamérica brought together top colorists from the Spanish-speaking world—and we were proud to be part of it. With over 120 professionals in attendance, the evening began with a conversation featuring Chema Alba (colorist for Pedro Almodóvar) and concluded with the

"When color grading feels like drifting in the dark, Colourlab AI becomes the lighthouse." This user review captures what makes Colourlab AI so impactful—not just for experienced professionals, but for beginners navigating exposure, contrast, and look development for the first

Bring Cinematic Neutrality to Your Footage — Instantly Color balance is the first step to professional-looking footage—but doing it manually wastes time and invites inconsistency. With Colourlab AI, Auto Balance is no longer a guess. Our neural engine analyzes the image data

Dirt - Look Dev - Stills Pt. 1 DP: Art PR Wire.io Color: @fylmaura Action sequences demand speed, visual consistency, and precision. With Colourlab, look development becomes a creative asset—streamlining shot matching, color control, and overall visual coherence, even under

What’s New with JPLog2? A revolution in color science is here—and it’s changing the way creators work. From next-level precision to seamless software integration, JPLog2 is built for the workflows of tomorrow. Want a sneak peek before the official reveal? Swipe through and

ACES vs ARRI LogC — Which one’s right for your project? If you’ve ever found yourself stuck choosing the perfect color profile, you’re not alone. Both ACES and ARRI LogC are industry standards — but they solve different challenges. ✔️ ACES: perfect for complex, multi-camera

When color shapes the narrative, every decision matters. In this series of frames, FYLMAURA uses Colourlab AI and our Organic DCTLs to achieve something few tools can deliver: -Precise perceptual saturation control that preserves the image’s texture. -Natural color balance

Neutral doesn’t mean flat. It means perfectly balanced. Most color grading workflows destroy neutrality before the creative process even starts: -Inaccurate white balance adjustments break color separation. -Global saturation boosts turn skin into plastic. -Tonal ranges collapse

If you’ve ever spent hours fixing skin tones that don’t feel right... If your highlights clip too fast or your midtones turn muddy... It’s not your fault. It’s your camera’s Log curve. Most Log profiles were designed years ago—before HDR workflows and modern color science

When a music video needs to feel alive, texture and color have to serve the story—not distract from it. For Morgana’s Party Killer, colorist @eamonnjmcmanus built a look that balances cinematic beauty with raw intensity. No shortcuts. No generic LUTs. Just smart tools used with

What if your footage looked cinematic straight from the camera—without fixing highlights, muddy midtones or skin tones that just don’t feel right? That’s exactly what JPLog2 unlocks. No hacks. No LUTs. No endless tweaking. ✔️ Built for HDR workflows. ✔️ More precise color

A clean, cinematic image doesn’t happen by accident. It happens when your base is neutral, your conversion is accurate, and your tools work with your camera—not against it. In this workflow, we start where most people fail: ✔️ Log to Rec709 conversions, optimized for your

Stop fighting your footage. Start enjoying your color workflow. Today we go live to show you how: ✔️ JPLog2 transforms your camera’s color into something truly cinematic. ✔️ New DCTLs automate the grading steps you hate. ✔️ Colourlab AI adapts to your workflow, so you can

Party Killer is a masterclass in tonal control. The grade built by @eamonnjmcmanus doesn’t rely on aggressive contrast or stylized LUTs. It’s built on something far more difficult: subtlety — and precision. Using Colourlab AI + FilmAI nodes, the look is crafted to stay coherent