A Stitch in Time ✂️(@AStitchinTime13) 's Twitter Profileg
A Stitch in Time ✂️

@AStitchinTime13

What she wore. Women, women’s dress & textiles mainly C18th-C20th. Instagram & Threads a_stitch-in_time_13. Bluesky https://t.co/GgRfh3QjtP

ID:1406627080297660422

calendar_today20-06-2021 14:57:01

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Dr Kate Strasdin(@kateStrasdin) 's Twitter Profile Photo

There is still time to sign up for this Sunday’s lovely At Home, a short but cosy interlude and a chance to hear some wonderful c19th dress and textile research

eventbrite.co.uk/e/at-home-with…

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Fashion History Timeline(@FITfashionstory) 's Twitter Profile Photo

1930 was a transitional year. Designers’ 1930 collections moved away from the flapper’s boxy shape in an attempt to define the look of the modern woman who must navigate through the Great Depression. fashionhistory.fitnyc.edu/1930-2/

1930 was a transitional year. Designers’ 1930 collections moved away from the flapper’s boxy shape in an attempt to define the look of the modern woman who must navigate through the Great Depression. fashionhistory.fitnyc.edu/1930-2/
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Victoria Haddock(@vickyhaddock) 's Twitter Profile Photo

Just a few of my highlights from the Tate's exhibition this morning. It was lovely to bump into a former colleague whilst in the gallery and reminisce about conserving Ellen Terry's beetlewing dress!

Just a few of my highlights from the @Tate's #SargentandFashion exhibition this morning. It was lovely to bump into a former colleague whilst in the gallery and reminisce about conserving Ellen Terry's beetlewing dress! #fashionhistory #exhibition
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Dr Kate Strasdin(@kateStrasdin) 's Twitter Profile Photo

British designer John Cavanagh brought all of the rococo flair to this late evening dress, paniers swooping from either hip and a rosy bow adorning the skirt. It demands a balmy early summer evening with a long cool drink and twilight birdsong on the air Fashion Museum Bath

British designer John Cavanagh brought all of the rococo flair to this late #1950s evening dress, paniers swooping from either hip and a rosy bow adorning the skirt. It demands a balmy early summer evening with a long cool drink and twilight birdsong on the air @Fashion_Museum
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Richard Morris(@ahistoryinart) 's Twitter Profile Photo

'Two Girls on a Cliff.' (1917) Laura Knight moved to Cornwall in 1907 and began to paint a series of views of the coast, resplendent with bright colour and lit by radiant summer light.

The series of clifftop and coastal paintings she produced over the latter period of WW1 are…

'Two Girls on a Cliff.' (1917) Laura Knight moved to Cornwall in 1907 and began to paint a series of views of the coast, resplendent with bright colour and lit by radiant summer light. The series of clifftop and coastal paintings she produced over the latter period of WW1 are…
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Dr Kate Strasdin(@kateStrasdin) 's Twitter Profile Photo

Gauzy white puff sleeves feature both in this surviving dress and a slightly earlier fashion plate, drawing on Gothic fictions and Tudor aesthetics here. Self decorated hems and gathered bodices are replicated too, from image to object KSU Museum

Gauzy white puff sleeves feature both in this surviving #1820s dress and a slightly earlier fashion plate, drawing on Gothic fictions and Tudor aesthetics here. Self decorated hems and gathered bodices are replicated too, from image to object @KSUMuseum #fashionhistory
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Penlee House Gallery & Museum(@PenleeHouse) 's Twitter Profile Photo

5 Days until The Exceptional Harold Harvey opens at Penlee House.

A favourite painting with both staff and visitors alike we are delighted to once again have Girls Outside the Gaiety Cinema, Newlyn, 1925 on loan for our upcoming exhibition.

5 Days until The Exceptional Harold Harvey opens at Penlee House. A favourite painting with both staff and visitors alike we are delighted to once again have Girls Outside the Gaiety Cinema, Newlyn, 1925 on loan for our upcoming exhibition.
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Fashion Museum Bath(@Fashion_Museum) 's Twitter Profile Photo

Friday Treat Time and a beautiful blue and cream silk beaded evening dress by British couturier . Dating to the 1960s, this simple sleeveless sheath dress showcases Hartnell’s continued mastery in designing glamorous and glittering gowns for a couture clientele.

Friday Treat Time and a beautiful blue and cream silk beaded evening dress by British couturier #NormanHartnell. Dating to the 1960s, this simple sleeveless sheath dress showcases Hartnell’s continued mastery in designing glamorous and glittering gowns for a couture clientele.
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Chertsey Museum(@ChertseyMuseum) 's Twitter Profile Photo

: A primrose yellow silk brocade gown, c.1760s. The pattern features floral springs and baskets. The gown was probably worn with a matching petticoat, which has not survived. @johnchasephoto

#FridayFrocks #SpringFlowers: A primrose yellow silk brocade gown, c.1760s. The pattern features floral springs and baskets. The gown was probably worn with a matching petticoat, which has not survived. @johnchasephoto
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DMUArchives&RareBooks(@DMUSpecialColls) 's Twitter Profile Photo

'I suddenly realised I had all these records.. design work, drawings... & wanted to build a connection' Dame Dame Zandra Rhodes on how she came to donate her collection to dmuleicester Consider the value of your stuff is our for

DMU Library ARA Scotland

'I suddenly realised I had all these records.. design work, drawings... & wanted to build a connection' Dame @Zandra_Rhodes on how she came to donate her collection to @dmuleicester Consider the value of your stuff is our #archivesadvice for #Archive30 @LibraryDMU @ARAScot
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Fashion History Timeline(@FITfashionstory) 's Twitter Profile Photo

Popular in the nineteenth century, the poke bonnet was a women’s hat that featured a large brim that extended beyond the wearer’s face. Read more! fashionhistory.fitnyc.edu/poke-bonnet/

Popular in the nineteenth century, the poke bonnet was a women’s hat that featured a large brim that extended beyond the wearer’s face. Read more! fashionhistory.fitnyc.edu/poke-bonnet/
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Dr Sheilagh Quaile 🇺🇦(@SheilaghQuaile) 's Twitter Profile Photo

Available now: my article in Victorian Review examines Victorian in two Edwardian-era portraits by painter and The Glasgow School of Art director Francis H. Newbery.

muse.jhu.edu/article/925218

Image: Fra Newbery, Portrait of a Devonian (ca. 1908), Royal Albert Memorial Museum, Exeter.

Available now: my article in @victorianreview examines Victorian #paisley #shawls in two Edwardian-era portraits by painter and @GSofA director Francis H. Newbery. muse.jhu.edu/article/925218 Image: Fra Newbery, Portrait of a Devonian (ca. 1908), @RAMMuseum.
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Dr Kate Strasdin(@kateStrasdin) 's Twitter Profile Photo

My photo memories have reminded me that it was five years ago today since the show V&A and a most gorgeous spin around the galleries. It was otherworldly and beautiful and seems like a lifetime ago now

My photo memories have reminded me that it was five years ago today since the #Dior show @V_and_A and a most gorgeous spin around the galleries. It was otherworldly and beautiful and seems like a lifetime ago now #fashionhistory
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