Jules Pelta Feldman's article on "Reperformance, Reenactment, Simulation. Notes on the Conservation of Performance Art" (doi.org/10.11588/xxi.2…) focuses on works by Marina Abramović, their representations in popular media and their conservation through simulation. #OpenAccess

In his article "Memetic Superposition. Evaluating the Parallels between Memes and Renaissance Emblems" Ray Drainville argues that our understanding of memes can be enhanced by a comparison with Renaissance emblems as their historical precursor: doi.org/10.11588/xxi.2… #arthistory

In his article "Does this Person Exist? KI-Generierte Porträts und ihre prekäre Existenz im Digitalen Raum" Paul Werling analyses how portraits generated by Nvidia’s StyleGAN2 relate to the photographic: doi.org/10.11588/xxi.2… #GeneratedPortraits #ArtificialIntelligence

Have you already read the five reviews in 21inquiries's last issue? You can read them online or download them free of charge here: doi.org/10.11588/xxi.2… #openaccess #arthistory #arthistoryreviews #globalarthistory

New special issue for 21inquiries in preparation: "Towards a Multi-Temporal Pluriverse of Art. Decolonizing Universalized Historiographic and Temporal Frameworks", ed. by Birgit Hopfener&Karin Zitzewitz. For a preview click here: 21-inquiries.eu/en/preview #arthistory #OpenAccess

Coming soon! New special issue on: "Welten ausstellen, Welten ordnen (19.–21. Jahrhundert)/Mondes exposés, mondes ordonnés (XIXe–XXIe siècles)", ed. by Annika Haß & Céline Trautmann-Waller: 21-inquiries.eu/en/preview #Weltausstellungen #Expositionsuniverselles #OpenAccess

Have you read 21inquiries's last special issue on "Towards a Multi-Temporal Pluriverse of Art"? If not, why not start with the Introduction by the issue's editors, Birgit Hopfener & Karin Zitzewitz, for a first overview: doi.org/10.11588/xxi.2… #Pluriverse #OpenAccess

Wir sind in Lyon beim 36th CIHA World Congress "Matter Materiality". Schaut gerne an unserem Stand vorbei! #CIHA2024 #CIHA #Lyon

21inquiries in Lyon at the "Salon du Livre" of the 36ème Congrès du CIHA! Huge thanks to our fantastic colleagues from arthistoricum.net for displaying our bookmarks😄🙏 #CIHA2024 #CIHA #Lyon #arthistory #openaccess

Out now! 21inquiries's special issue #2–2024 "Welten ausstellen, Welten ordnen (19.–21. Jahrhundert)/Mondes exposés, mondes ordonnés (XIXe–XXIe siècles)", ed. by A. Haß & C. Trautmann-Waller: doi.org/10.11588/xxi.2… #openaccess #arthistory #expositionuniverselle

Our new special issue brings together articles on "World Exhibitions" from very different perspectives. They are presented individually in the two editorials (German/French) - always a good starting point for a first overview: doi.org/10.11588/xxi.2… and doi.org/10.11588/xxi.2…

Notre nouveau numéro spécial rassemble des articles sur le thème des "expositions universelles" sous des angles très différents. Ils sont présentés individuellement dans les deux éditoriaux (allemand/français) : doi.org/10.11588/xxi.2… et doi.org/10.11588/xxi.2….

We are preparing 21inquiries's autumn issue #3-24! 🍂 Check out our website for a sneak preview: 21-inquiries.eu/en/preview #ArtHistory #OpenAccess

The "Placing the first pillar" of the "new Crystal Palace, Sydenham", London (1852). Find more on this special building - a legacy of the Great Exhibition of 1851 - in Andreas Fahrmeir's contribution in 21inquiries 's special issue on world exhibitions: doi.org/10.11588/xxi.2…