Françoise van Straelen 🇺🇦(@van_strael) 's Twitter Profileg
Françoise van Straelen 🇺🇦

@van_strael

Respect and love life, but keep your sense of humour. Protect nourishing and suffering Nature. Enjoy art, books, photography, music.

ID:2157436815

calendar_today28-10-2013 16:57:14

155,2K Tweets

6,5K Followers

5,7K Following

Journal of Art in Society(@artinsociety) 's Twitter Profile Photo

From the House of the Golden Bracelet in Pompeii ~ remarkably well-observed frescoes of doves drinking at a golden bowl / and a purple gallinule striding through a garden landscape (photos; Oleg Belaychuk) ancientrome.ru/art/artworken/…

From the House of the Golden Bracelet in Pompeii ~ remarkably well-observed frescoes of doves drinking at a golden bowl / and a purple gallinule striding through a garden landscape (photos; Oleg Belaychuk) ancientrome.ru/art/artworken/…
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Jean-Robert Piette(@JRPiette) 's Twitter Profile Photo

Photographie surprenante prise lors de la construction des pyramides d'Égypte en 1750 avant JC. Vraiment impressionnant!

Photographie surprenante prise lors de la construction des pyramides d'Égypte en 1750 avant JC. Vraiment impressionnant!
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Nucci Pollarolo(@NucciPollarolo) 's Twitter Profile Photo

“Rendo Grazie”o “Dedica” (mi scuseranno i signori di lingua tedesca) doveva essere un “grazie” ripreso dal poeta H. von Gilm per ringraziare la zia di Strauss per non so che cosa

(Un tedesco un giorno mi disse che i lieder, Schubert compreso erano per ubriaconi da pub
Perle ai…

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Nucci Pollarolo(@NucciPollarolo) 's Twitter Profile Photo

Nel 1990 ho avuto la fortuna di ascoltare a Manchester Kiri Te Kanawa e Georg Solti negli ultimi 4 lieder di Strauss. Alla fine del concerto lei ha cantato Zueignung.
Due grandissimi, indimenticabili giganti della musica e io, piccolo moscerino senza meriti ero lì

Nel 1990 ho avuto la fortuna di ascoltare a Manchester Kiri Te Kanawa e Georg Solti negli ultimi 4 lieder di Strauss. Alla fine del concerto lei ha cantato Zueignung. Due grandissimi, indimenticabili giganti della musica e io, piccolo moscerino senza meriti ero lì
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H e t e r o t o p ia(@ArtsOfExistence) 's Twitter Profile Photo

“She wasn't doing a thing that I could see, except standing there leaning on the balcony railing, holding the universe together.”
― J.D. Salinger, 'A Girl I Knew'

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Archaeology & Art(@archaeologyart) 's Twitter Profile Photo

An ivory crab netsuke made by Japanese sculptor Jugyoku during the 19th century. This piece is currently in the collection of the Walters Art Museum in Baltimore, Maryland.

An ivory crab netsuke made by Japanese sculptor Jugyoku during the 19th century. This piece is currently in the collection of the Walters Art Museum in Baltimore, Maryland.
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Nucci Pollarolo(@NucciPollarolo) 's Twitter Profile Photo

Quando passo di lì i rami si inchinano.
E non solo perché sono la loro regina ma soprattutto vogliono sapere quale musica desidero ascoltare: sé quella dell’acqua o del vento nelle foglie.
E una delle due, per compiacermi, tacerà

Quando passo di lì i rami si inchinano. E non solo perché sono la loro regina ma soprattutto vogliono sapere quale musica desidero ascoltare: sé quella dell’acqua o del vento nelle foglie. E una delle due, per compiacermi, tacerà
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I was told there would be no malarkey(@kasthomas) 's Twitter Profile Photo

And yet there is reason for hope. The students are our hope. The students have done what the so-called adults in the room couldn't do: begin an honest, real-world discussion about war, prejudice, and social injustice, today involving Palestine but eventually taking in all the…

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Françoise van Straelen 🇺🇦(@van_strael) 's Twitter Profile Photo

'Purple Irises',
an ōban tate-e from the series 'Floral Calendar of Japan', c. 1950s,
by Kawarazaki Shodo (河原崎奨堂; 1889-1973), a Japanese painter and designer of floral subjects, published by Unsōdō (芸艸堂) of Kyōto.

via Jaded in Japan

'Purple Irises', an ōban tate-e from the series 'Floral Calendar of Japan', c. 1950s, by Kawarazaki Shodo (河原崎奨堂; 1889-1973), a Japanese painter and designer of floral subjects, published by Unsōdō (芸艸堂) of Kyōto. via Jaded in Japan
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