'... for a film that is about the importance of love—in fact, love's duty, against all fears—THE BEAST feels cold.'

ag writes on the glamorous aesthetics, visceral shocks, and lack of emotional precision in Bertrand Bonello's latest. mubi.com/en/notebook/po…

Orson Welles. Born on this day in 1915.

Wim Wenders's dreamy tale of the American southwest: starring Harry Dean Stanton, Dean Stockwell & Nastassja Kinski.

Celebrate great comedy with our 'Funny Ha Ha' collection → mubi.com/collections/co…

Now available in its original episodic format, Mikko Niskanen’s shattering psychological epic is a powerful howl against the cruel indifference of a community, and a nation at large.

Guess the film.

The first footage from Francis Ford Coppola's MEGALOPOLIS, premiering this month in Cannes.

Set between Germany and Jordan and shot on sumptuous 16mm film stock, Faris Alrjoob’s beguiling short film is at once eerie and sensuously pleasurable.

'These are films about transients and transience, punctuated by soft dissolves and ellipses... [Hiroshi] Shimizu’s formalism and his humanism go hand in hand.'

Imogen Sara Smith for Reverse Shot. reverseshot.org/features/3223/…

'To begin with, you have to acknowledge that anyone who takes part in a film has their own agenda. You have an agenda as a filmmaker, they have an agenda, and you’ve got to hope that the agendas are ultimately going to line up.'⁠

Kevin Macdonald meets Josh Slater-Williams to…

Four decades before PERFECT DAYS, Wim Wenders journeyed to his beloved Tokyo for the documentary travelogue TOKYO-GA.

Ultra-contemporary and entirely unique, Radu Jude’s acclaimed and award-winning, cutting-edge satire DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD is now streaming exclusively and (almost) globally.

Inaugurating the Multiplex column of our seasonal supplement Notebook Insert, Radu Jude, Martine Syms, Amalia Ulman, Pan Lu, and Allee Errico respond to the proliferation of the moving image in public space. mubi.com/en/notebook/po…