The session highlights Delilah Montagu’s vocal performance, while the visual component helmed by “Orange” music video director Peter Cerrito almost literally provides a surreal backdrop

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Good students of hardcore that they are, Knocked Loose are giving voice to young enthusiasts of the genre who need some kind of hope to cling to as the world continues to crumble

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In the world of Challengers, bodies, hearts, sex, desire, love, and tennis all become one throbbing bass line and sweaty match point, the ecstasy both all-important and inevitably disappointing

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Live, in photos: Just Like Heaven Fest 2024 with The Postal Service, Phoenix, CSS • Cansei de Ser Sexy, Sleigh Bells, and more: tinyurl.com/bdeavhc4

📷 by danielle agnello

“Britpop” is a mystifying project that goes beyond A. G. Cook’s evolving aesthetic as it traverses eras

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On “Darkroom,” Ghostly Kisses unload complex instrumental arrangements and earworm melodies in equal doses, creating an album that works on both surface and gut levels

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“The beauty of being a little bit older and signing a new deal is that I’m so skeptical of everyone in the music industry. You can promise me the world, but until you deliver, I don’t believe you.”

— KACY HILL

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Camera Obscura’s comeback record finds the Glaswegian chamber-pop quartet nestling back into its comfort zone, soothing the soul like the band used to | tinyurl.com/2hwckyuc

Ahead of her performance at Gov Ball next month, join Blondshell all week on a new episode of FLOOD FM’s “Hacked”: tinyurl.com/f7xkzp28

With “Now Here Is Nowhere” turning 20 over the weekend, Secret Machines (Secret Machines) take us track by track through their monumental debut LP two decades after its release

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.Hot Water Music’s hallmarks remain as powerful as ever on their guest-heavy tenth record, which feels less like a swan song than a reassertion of intent | tinyurl.com/5k56z7bh

Softening Immersion’s lush piano and continually building minimalist orchestration are marimba and violin parts contributed by multi-instrumentalist wayfarer thor harris

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.GATECREEPER have always been accessible in their no-nonsense aggression, but they’ve never sounded quite so catchy

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“I made narratives out of really uncomfortable situations and cried for the person they happened to, and finally admitted that they happened to me and not some character.”

Kathleen Hanna discusses her new memoir “Rebel Girl”

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Snõõper, Chat Pile, 𝕄𝕊ℙ𝔸𝕀ℕ𝕋, GEL, Model/Actriz, Venus Twins, and more acts that lipcritic deem worthy of the “future freak-punk” tag

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On the new EP, Draag once again refuse to add flourishes to these compositions in an effort to give them a polished sheen

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“The script just made me feel so much from my own childhood.”

mle (florist) and Kris Esfandiari weigh in on the magic of I Saw The TV Glow

✍️ by Sean Fennell

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Billie Eilish’s intricate third full-length collaboration with her brother FINNEAS explores what it means to grow up in public and find one’s voice, both literally and figuratively | tinyurl.com/yn6jbsdz

Happy Friday!

Today is your last chance to catch LA indie-dance duo NEIL FRANCES take over FLOOD FM

📻🎙️🪩

Tune in at 10am, 1pm, 5pm, 10pm PDT to catch their fantastic guest radio HACKED before it goes away forever

FLOOD Magazine NEIL FRANCES Nettwerk Music Group Live365 TuneIn

With the album out today via Epitaph Records, scientist took us through each track on “Pretty in the Dark,” discussing samples and influences as well as the more personal lyrical elements explored on each song

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