RIP Narcisa Hirsch (1928-2024), a brilliant and essential filmmaker and a leader in the experimental film movement in Argentina. Check out this wonderful interview that Lynne Sachs did with Narcisa in 2008. youtube.com/watch?v=Xk7FBX…

Beginning tonight at 6:30pm!
Institute of Contemporary Arts is hosting a week of screenings of Heiny Srour's Leila and the Wolves (1984)
Make sure to catch this stunning restoration of this outstanding film until 9 May. Get your tickets here ⬇️
ica.art/films/leila-an…

🗣️ April has arrived & so too has our obligatory look back on a month of electric & eclectic books

📚 Here are ten of the best, reflecting four weeks of fascinating events, & a couple of personal favourites we’ve enjoyed recommending to you lovely lot in March.

“Let cinema go to its ruin, that is the only cinema. Let the world go to its ruin, that is the only politics.”

— Marguerite Duras

Translated by Daniella Shreir Another Gaze / Another Screen

harpers.org/archive/2024/0…

‘The sickly masses, afflicted with calm, with a stable metabolism, will still enter the cinema, but, from now on, they will be the only ones’
Marguerite Duras’ ‘My Cinema’, published by us, is extracted in this month’s Harper's Magazine 💫
harpers.org/archive/2024/0…

‘The sickly masses, afflicted with calm, with a stable metabolism, will still enter the cinema, but, from now on, they will be the only ones’
Marguerite Duras’ ‘My Cinema’, published by us, is extracted in this month’s Harper's Magazine 💫
harpers.org/archive/2024/0…

“Personally I have encountered them in one of the toughest of all contemporary issues, Palestine, where fear of speaking out about one of the greatest injustices in modern history has hobbled, blinkered, muzzled many who know the truth and are in a position to serve it.”

Berlinale jury deliberations should be held in the Tiny House