Rachel Cockett(@RachelCockett) 's Twitter Profileg
Rachel Cockett

@RachelCockett

Art equity gothic heritage museums nature rural weird. On https://t.co/FTJTpckAHe

ID:20250492

linkhttp://rachelcockett.wordpress.com/about/ calendar_today06-02-2009 16:46:41

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Rachel Cockett(@RachelCockett) 's Twitter Profile Photo

Spiders and creepy crawlies allowed to colonise Rijksmuseum to show how perceptions have changed through the ages

Fine. But to any spiders reading this. You may have the right to the Rijksmuseum. You do not have the right to my home 🤬🕷🚫

theguardian.com/artanddesign/2…

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andy stewart(@andy_astewart) 's Twitter Profile Photo

1. National Trust National Trust. Another target of the Tories in trying to pervert every corner of our lives. Been a member for years; pay a sub by SO. Visit a couple of properties a year (if I'm lucky). Haven't had the slightest interest in its governance. Until now....

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Pilgrim Trust(@ThePilgrimTrust) 's Twitter Profile Photo

Explore how we helped Birmingham Museum and Art Gallery conserve one of the world’s largest watercolour paintings in the world! The Star of Bethleham was painted by Edward Burne-Jones measures whooping 8-12ft.

Read the full story now: buff.ly/3DO4rIE

Explore how we helped @BM_AG conserve one of the world’s largest watercolour paintings in the world! The Star of Bethleham was painted by Edward Burne-Jones measures whooping 8-12ft. Read the full story now: buff.ly/3DO4rIE
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Ger D(@Rardeenus) 's Twitter Profile Photo

Cold War Steve ‘The ammunition's being passed and the lords been praised
But the wars on the televisions will never be explained
All the bankers gettin' sweaty beneath their white collars
As the pound in our pocket turns into a dollar’

Heartland, The The

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Jacques Schuhmacher(@schuhmacher) 's Twitter Profile Photo

.The Guardian exclusive about an important legal development re national museums/ restitution:

‘Museums in England and Wales will be given unprecedented powers to dispose of objects in their collections if there is a compelling moral obligation to do so’

bit.ly/3fjVL2L

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Bham Museums Images(@BMAGimages) 's Twitter Profile Photo

'Mark', she said 'The men are here' - by John Everett Millais, 1861. The scene depicts Fanny Roberts telling her husband that the bailiffs are at the door. A scene from Framley Parsonage by Anthony Trollope.
dams.birminghammuseums.org.uk/asset-bank/act…

'Mark', she said 'The men are here' - by John Everett Millais, 1861. The scene depicts Fanny Roberts telling her husband that the bailiffs are at the door. A scene from Framley Parsonage by Anthony Trollope. dams.birminghammuseums.org.uk/asset-bank/act… #OpenAccess
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Bham Museums Images(@BMAGimages) 's Twitter Profile Photo

You take my life when you do take the means whereby I live.

The Merchant of Venice, Act 4 Scene 1.

Image: The Stone Breaker by Henry Wallis, 1857.

You take my life when you do take the means whereby I live. The Merchant of Venice, Act 4 Scene 1. #ShakespeareSunday Image: The Stone Breaker by Henry Wallis, 1857.
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Kesquire(@KensRea) 's Twitter Profile Photo

Me watching and not caring about the reviews or complaints, and simply enjoying the fact that I'm watching a high production value Lord of the Rings tv series.

Me watching #RingsofPower and not caring about the reviews or complaints, and simply enjoying the fact that I'm watching a high production value Lord of the Rings tv series.
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Rebecca Franks(@Becca_JF21) 's Twitter Profile Photo

Background research for editing can end up in the strangest places. I give you this article, which I did not expect to read today or ever, on the sea lamprey: vice.com/en/article/8qk…

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Rachel Cockett(@RachelCockett) 's Twitter Profile Photo

Billboards hijacked across Europe to highlight role of airline emissions in climate crisis

Advertising from Brandalism Subvertisers Intl

theguardian.com/environment/20…

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Rachel Cockett(@RachelCockett) 's Twitter Profile Photo

Berlin’s Humboldt Forum faces up to its colonial past

The revamped museum fully opened on Friday, its looted Benin bronzes now repatriated to Nigeria

theguardian.com/culture/2022/s…

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