Jordan Cronk interviews the Ross bros for Filmmaker Magazine about their journey making GASOLINE RAINBOW

filmmakermagazine.com/125936-intervi…

A new critics grid called MOIRÉE is launching for this year’s Cannes, featuring a formidable group of writers & programmers. Follow along starting tomorrow!

moir.ee/editions/1

Big thanks to Mina Mikhail (Mina Mikhail) for designing the beautiful, customizable template.

Sat down w/ Bill and Turner Ross in Venice last summer to discuss their new film GASOLINE RAINBOW. That conversation is now up at Filmmaker Magazine. Had a lot of fun with this one. Film is out Friday in the US. ⛽️ 🌈 filmmakermagazine.com/125936-intervi…

Today's soundtrack. (Writing about SAMSARA again.) kabaird.bandcamp.com/album/bearings…

“Nothing moved me more [this year] than the four films that Chantal Akerman shot in 1967 as her application to the INSAS in Brussels.” —Pedro Costa

Tickets going fast for Saturday’s Chantal Akerman screening w/ Nina Menkes in person. Don’t miss out! ✨ link.dice.fm/Aa2c19d39a7d

Sat down w/ Bill and Turner Ross in Venice last summer to discuss their new film GASOLINE RAINBOW. That conversation is now up at Filmmaker Magazine. Had a lot of fun with this one. Film is out Friday in the US. ⛽️ 🌈 filmmakermagazine.com/125936-intervi…

RIP Steve Albini.

Filmed with Shellac performing 'Rambler Song' live at Threadwaxing Space in NYC, 1994

A giant of alternative rock 🤘

Legit in shock about Steve Albini. Not sure anyone has left a more profound mark on how I think about music, art, and maintaining credibility in one’s creative pursuits. RIP.

Breaking news: Steve Albini, the storied producer and icon of underground rock, has died p4k.in/XcQS4Vf

Guided by Voices
Gold Star For Robot Boy
18 March 1994 Hara Arena soundcheck; Trotwood, OH

First, his chat with Jordan Cronk 🥀 for the dearly departed Cinema Scope cinema-scope.com/cinema-scope-o…

Chantal Akerman: Her First Look Behind the Camera + LÀ BAS

Join us 5/11 @2220arts for the LA premiere of Akerman's recently rediscovered film school shorts, followed by the director's 2006 feature about her Jewish identity. Introduced by nina menkes!

🎟️: link.dice.fm/Aa2c19d39a7d

As part of this weekend’s essential Lisandro Alonso retrospective American Cinematheque, I’ll be in conversation with Lisandro for Saturday night’s double bill of LOS MUERTOS (2004) and LIVERPOOL (2008), two of the key films of the aughts. Not to be missed. ✨ americancinematheque.com/now-showing/lo…

As part of this weekend’s essential Lisandro Alonso retrospective American Cinematheque, I’ll be in conversation with Lisandro for Saturday night’s double bill of LOS MUERTOS (2004) and LIVERPOOL (2008), two of the key films of the aughts. Not to be missed. ✨ americancinematheque.com/now-showing/lo…

'I refuse to entertain the notion that pro wrestling fans are any less discerning than anyone else when some of the dumbest motherfuckers alive hold political office and write opinion columns for The New York Times.' thenation.com/article/cultur…

New documentary Fantastic Machine spans the birth of camera obscura to the invention of TikTok using a cursory approach that allows for little insight.

Jordan Cronk 🥀 reviews. Out now. bfi.org.uk/sight-and-soun…

Happy to be back Sight and Sound magazine after a bit of a hiatus; less enthused with the film I was asked to write about, FANTASTIC MACHINE, a cursory of history of the motion picture camera featuring a bunch of viral videos you’ve probably seen and forgotten. bfi.org.uk/sight-and-soun…

Just announced! 📣

On May 26 2220 Arts + Archives we present a special screening of Hong Sangsoo’s 30th feature IN OUR DAY, a seriocomic fable about pet cats, lost loves, and bowls of ramen noodles, preceded by the LA premiere of Hong’s short film SMALL FLOWER! 🌸🍜 acropoliscinema.com/films/in-our-d…

Radu Jude in conversation w/ Jordan Cronk