Cushing's on the case when Flemyng's mad doctor turns daughter Wanda Ventham to a bloodthirsty weremoth. Much maligned but hideous fun. 1968.
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Curse of the Crying Woman. 1961. Splendidly spooky Mexican folk-gothic, wonderfully shot with shades of Bava style flair. An overlooked gem.
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Tautly directed with a superbly understated Bette Davis, Hammers dark and disquieting psychological chiller is just class. A sinister standout. 1965
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Mark of the Wolfman. 1968. A landmark for Spanish horror, the debut of legendary lycan Waldemar Daninsky. Pivotal for Naschy, lots of lupine fun.
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Planet of the Vampires. 1965. A textbook lesson in how to make a visually stunning sci-fi shock classic on a low budget, from maestro Bava. Terrific.
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Inspired by Ray Bradbury, Harryhausens first solo project broke new ground as it crushed New York. Thrilling first of the atomic beast epics. 1953.
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Karloff may get top billing but this belongs to Lugosi. Hardly Poe, but a dark and deliciously fiendish delight. Cruelty with class. 1935.
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Price and Lee's first film together effectively blends voodoo with Poe. Underrated, stylish and splendidly grim, brimming with hideous intrigue. 1969.
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The Vampire Doll. 1970. Like Italian gothic and Hammer had a striking Japanese love child, the stunning first in a trilogy of Toho terror. Superb.
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Karloff takes on the satanic Lee and Steele hits kinky blue witch mode. Often maligned but intriguing Lovecraft tale with a cracking cast. 1968.
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Gangsters, girls and gorillas. Terrific B Movie bristling with Zucco, mad science and taboo social subtext. Fine gorilla suit too. Splendid fun. 1941.
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Three Faces of Fear. 1963. Better known by its badly cut, re-filmed and re-edited release title Black Sabbath. Bava's original is Italian gothic gold.
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With all eyes on space Hammer got smart and attacked from below. Superbly written and tautly directed, smart and surprisingly gruesome. 1956.
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Another Lewton and Robson classic so taut and well written you'll forgive the misnomer. Superbly sinister triumph of eerie style over budget. 1943.
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Last of their Karnstein trilogy sees Hammer on ripping form. Splendidly callous Cushing leads a glorious romp of blood and heaving bosom. 1971.
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The Aztec Mummy. 1957. First in a trilogy of lovably tatty terror, with Popoca the mummy and evil villain The Bat. Threadbare Mexican monster fun.
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Deliciously daring pre-code depravity, maybe the finest adaption of Stevensons story. Dark and visually stunning, with an Oscar winning March. 1931.
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Living Dead at Manchester Morgue. 1974. Jorge Grau's perfect marriage of gothic chills and Europulp bloodshed. Superbly scary and loaded with style.
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The great Lon Chaney proves that when the world gets too loud, silence really is golden. 1925.
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With remarkable special effects and last reel to rival the best, superbly gruesome proof us British make films with brains. 1958.
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