Peter Cushing nazi zombie master. Naturally. Old school fun as the walking dead threaten stranded zombie fodder as if Romero never happened. 1977.
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The Devil Rides Out. 1968. It's Lee versus Lucifer for Hammers masterful Wheatley adaption. Tightly directed, expertly acted, scary as hell.
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Lorre's in wild-eyed, spiralling form as a severed hand stalks an Italian mansion. Stunningly shot, moody and beautifully spooky. 1946.
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Castle of Blood. 1964. The past comes to gruesome life in Margheriti's Italian gothic classic. Stunningly spooky and dripping in Barbara Steele.
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Pete Walkers rebellious brand of cinematic mischief led a new wave of 70s Brit horror. Tough, delightfully dark and way more fun than it should be. 1974.
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Lederer nails the brief nicely when the Count hits small-town USA. Lost in Hammer's wake it's an overlooked gem - minor film but major fun. 1958
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Any film that sends Stephanie Beacham and Judy Geeson to space with Geeson the mum to cannibal alien twins is genius in my book. Britpulp gold. 1981.
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Top rate B Movie terror from Universal with Lugosi and Atwill in a wonderfully macabre mash of gothic chills and early body horror. Ghastly fun. 1942.
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Ken Russell can be divisive but his opium laced take on the night Frankenstein was conceived is arguably a work of delirious, nightmarish genius. 1986
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Ancient aliens lurk beneath 60's London in a chilling last case for Hammers Quatermass. Smart and scary, with a fantastic lead from Shelley. 1967.
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Eyes Without A Face. 1960. A haunting collision of arthouse style and surgical sadism. Hugely influential - beautifully composed poetic pulp.
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A retired soldier and his hunchback sidekick hunt vampires and save the stunning Munro. Nice work if you can get it. Ripping Hammer romp. 1974.
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Classic Castle surrealism. From the terrific acid trip and crimson soaked bloodbath to Price and his fear feeding parasite it's pulp perfection. 1959.
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Roeg does Du Maurier. A beautifully acted melancholic masterpiece, exquisitely shot and dripping in Venice menace. 1973.
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Terrific genre debut from Jack Arnold. Based on Ray Bradburys story it's an eerily haunting treat. Creepy close encounters of the classic kind. 1953.
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Creepy mansion, spooky experiments, knife wielding psycho and sinister Bela rocking a turban. What's not to love? Ghoulishly good fun. 1933.
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Often dismissed as a cheap Hammer rip-off. Perhaps, but with Wolfit's ham and Shelley's charm it's a splendidly ghoulish full-blooded romp. 1958
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The Black Pit of Dr M. 1959. One to rival the Euro gothic greats. A visually stunning dark masterpiece with a uniquely Mexican mood and style to burn.
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Shifty Christopher Lee and ravishing Joan Collins lead Sharp's atmospheric haunted house chiller. Underrated, wickedly creepy British gem. 1973.
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Hammer do crazy with class, tautly twisted around the fragile Scott and unstable Reed. Strikingly shot, dark and deliciously chilling. Superb. 1963.
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