Natee πŸ•Š (they/them)(@Himmapaan) 's Twitter Profileg
Natee πŸ•Š (they/them)

@Himmapaan

Natee Himmapaan (Puttapipat). Illustrator. Art, literature, history, natural history, world cultures. Depression. Non-binary (they/them). πŸ³οΈβ€πŸŒˆ BLM. @Nhindigo.

ID:392009371

linkhttps://linktr.ee/himmapaan calendar_today16-10-2011 12:35:10

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I should have just been listening to Rimsky-Korsakov's Scheherazade whilst ensconced beneath the duvet, but I dip my stupid toe back here after some time away. It follows that I would be trolled at once. More fool me. πŸ™ƒ

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Day 16 is a very small reindeer from September last year. Part of a set of thirty animals, one for each day of the month, all 1' square.

#ArtAdventCalendar Day 16 is a very small reindeer from September last year. Part of a set of thirty animals, one for each day of the month, all 1' square.
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IDF: we shot our own people by mistake
IDF: but in our defence. we thought they were palestinian. due to the white flags they were carrying

IDF: we shot our own people by mistake IDF: but in our defence. we thought they were palestinian. due to the white flags they were carrying
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Day 15.

Another old ink & gouache piece from 2006. Like Day 5, this was made into a 3-panel concertina Christmas card.

The Coventry Carol tells the story of the Massacre of the Innocents, & its mournful, minor key lullaby makes it a favourite of mine.

#ArtAdventCalendar Day 15. Another old ink & gouache piece from 2006. Like Day 5, this was made into a 3-panel concertina Christmas card. The Coventry Carol tells the story of the Massacre of the Innocents, & its mournful, minor key lullaby makes it a favourite of mine.
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Day 14.

Another from my work for Katie Melua's 'In Winter' album, 2016. This illustration accompanies the album's arrangement of the Nunc Dimittis from Sergei Rachmaninoff's All-Night Vigil. Ink & gouache.

Not as successful as I'd envisaged, but hey, ho.

#ArtAdventCalendar Day 14. Another from my work for Katie Melua's 'In Winter' album, 2016. This illustration accompanies the album's arrangement of the Nunc Dimittis from Sergei Rachmaninoff's All-Night Vigil. Ink & gouache. Not as successful as I'd envisaged, but hey, ho.
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Day 11.

From 2014, the 1st spread of Jingle Bells, the 2nd of my silhouette Christmas books published by Walker Books. The book illustrates the first verse and chorus of the now famous 1857 song composed by James Lord Pierpont and ends with a pop-up.

#ArtAdventCalendar Day 11. From 2014, the 1st spread of Jingle Bells, the 2nd of my silhouette Christmas books published by Walker Books. The book illustrates the first verse and chorus of the now famous 1857 song composed by James Lord Pierpont and ends with a pop-up.
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Day 9.

Not so overtly wintry as all the others so far, but I declare that birds are for all seasons. Low relief paper sculpture of a pigeon wing. I made a mistake with the number of coverts, but I hope to make a better one in future.

#ArtAdventCalendar Day 9. Not so overtly wintry as all the others so far, but I declare that birds are for all seasons. Low relief paper sculpture of a pigeon wing. I made a mistake with the number of coverts, but I hope to make a better one in future.
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Day 8.

Returning to the work I did for Katie Melua's 'In Winter' album, 2016 (see Days 1&2), illustration for 'A Time to Buy.' Watercolour, ink & gouache. Gentle satire amid the splendours of commercial Christmas in a familiar scene around this time of year.

#ArtAdventCalendar Day 8. Returning to the work I did for Katie Melua's 'In Winter' album, 2016 (see Days 1&2), illustration for 'A Time to Buy.' Watercolour, ink & gouache. Gentle satire amid the splendours of commercial Christmas in a familiar scene around this time of year.
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Day 13 (still a day behind).

Oh, look, I found another wintry piece that isn't a silhouette!

From 2007, illustration for Jane Austen's Emma, published by The Folio Society. The only good piece among the seven(?) I managed for that book.

#ArtAdventCalendar Day 13 (still a day behind). Oh, look, I found another wintry piece that isn't a silhouette! From 2007, illustration for Jane Austen's Emma, published by The Folio Society. The only good piece among the seven(?) I managed for that book.
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Day 7.
Another ancient piece from 2004. Shakespeare’s The Winter’s Tale, Act V, Scene III. Ink & watercolour, 297 mm square. The penitent King Leontes is reunited with his supposedly dead queen, Hermione, whose 'statue' comes to life as he embraces her.

#ArtAdventCalendar Day 7. Another ancient piece from 2004. Shakespeare’s The Winter’s Tale, Act V, Scene III. Ink & watercolour, 297 mm square. The penitent King Leontes is reunited with his supposedly dead queen, Hermione, whose 'statue' comes to life as he embraces her.
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Liza Adamczewski or the accidental ecologist(@lizaadamczewski) 's Twitter Profile Photo

Absolutely delighted to say that the bidding has reached Β£1500. This means Β£750 to doctors without borders, UK and Β£750 to Shelter Cymru! Bidding ends tomorrow evening at 6pm. If you’d like to bid you can by dm or here in the comments section xxxxx

Absolutely delighted to say that the bidding has reached Β£1500. This means Β£750 to doctors without borders, UK and Β£750 to Shelter Cymru! Bidding ends tomorrow evening at 6pm. If you’d like to bid you can by dm or here in the comments section xxxxx
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Day 6.

To coincide with St. Nicholas Day, a detail of an illustration from one of my earliest books, Clement C. Moore's The Night Before Christmas, 2007. Ink & gouache.

I gave Moore's 'St. Nick' a staff recalling a bishop's crozier in a nod to his origins.

#ArtAdventCalendar Day 6. To coincide with St. Nicholas Day, a detail of an illustration from one of my earliest books, Clement C. Moore's The Night Before Christmas, 2007. Ink & gouache. I gave Moore's 'St. Nick' a staff recalling a bishop's crozier in a nod to his origins.
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Day 5.
Part of an ~ancient~ piece from 2005 and another Aesop tale, this is the centre of a three-panel gatefold Christmas card retelling the story of The Man & the Satyr. Ink and watercolour.

It's the closest thing I have to a Krampus for this evening. 🐐

#ArtAdventCalendar Day 5. Part of an ~ancient~ piece from 2005 and another Aesop tale, this is the centre of a three-panel gatefold Christmas card retelling the story of The Man & the Satyr. Ink and watercolour. It's the closest thing I have to a Krampus for this evening. 🐐
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