Alex Grand(@Comichistorians) 's Twitter Profileg
Alex Grand

@Comichistorians

Author of UNDERSTANDING SUPERHERO COMIC BOOKS. Host of LEGO ART: SPIDER-MAN. From Russo Bros’ SLUGFEST. In BBC, NPR, WSJ, New York Times & TODAY. CBH founder.

ID:3624381014

linkhttp://imdb.me/alexgrand calendar_today20-09-2015 07:10:42

6,5K Tweets

10,1K Followers

2,8K Following

Alex Grand(@Comichistorians) 's Twitter Profile Photo

In 1984, Bill Sienkiewicz began a remarkable tenure on the series, bringing a groundbreaking approach to the medium. He adeptly fused abstract emotional expression with tangible narratives, creating a stunning visual experience both on the covers and the pages within.

In 1984, Bill Sienkiewicz began a remarkable tenure on the #NewMutants series, bringing a groundbreaking approach to the medium. He adeptly fused abstract emotional expression with tangible narratives, creating a stunning visual experience both on the covers and the pages within.
account_circle
Alex Grand(@Comichistorians) 's Twitter Profile Photo

Love and Rockets, Volume 2, 1982 by the Hernandez bros is a genre-defying blend, weaving classic Americana akin to Archie Comics, with speculative sci-fi vignettes, and vibrant slices of Mexican culture. Its pages offer an alternative to the mainstream superhero comic books that

Love and Rockets, Volume 2, 1982 by the Hernandez bros is a genre-defying blend, weaving classic Americana akin to Archie Comics, with speculative sci-fi vignettes, and vibrant slices of Mexican culture. Its pages offer an alternative to the mainstream superhero comic books that
account_circle
Alex Grand(@Comichistorians) 's Twitter Profile Photo

Displayed are four classic comic book covers from the Robot Fighter 4000 A.D. series, published by in 1963. Russ Manning, greatly influenced by Isaac Asimov's writings on artificial intelligence, was the creative force behind both the narrative and artwork of

Displayed are four classic comic book covers from the #Magnus Robot Fighter 4000 A.D. series, published by #GoldKey in 1963. Russ Manning, greatly influenced by Isaac Asimov's writings on artificial intelligence, was the creative force behind both the narrative and artwork of
account_circle
Alex Grand(@Comichistorians) 's Twitter Profile Photo

In the early 70s, , along with Stan Lee and others, targeted the post-code horror magazine market, previously dominated by Jim Warren since 1957. Vampire Tales, launched in 1973, featured a recurring story about Michael Morbius with artwork by Pablos Marcos and script by

In the early 70s, #Marvel, along with Stan Lee and others, targeted the post-code horror magazine market, previously dominated by Jim Warren since 1957. Vampire Tales, launched in 1973, featured a recurring story about Michael Morbius with artwork by Pablos Marcos and script by
account_circle
Alex Grand(@Comichistorians) 's Twitter Profile Photo

Opening splash for Two in One 60, 1980, penciled by George Perez and inked by Gene Day. Later in 1980, Perez transitioned to DC Comics to work on the New Teen Titans, marking another chapter in his illustrious career. Gene Day tragically passed away at the age of 31 from

Opening splash for #Marvel Two in One 60, 1980, penciled by George Perez and inked by Gene Day. Later in 1980, Perez transitioned to DC Comics to work on the New Teen Titans, marking another chapter in his illustrious career. Gene Day tragically passed away at the age of 31 from
account_circle
Alex Grand(@Comichistorians) 's Twitter Profile Photo

There have always been interesting visual connections between the Flash Gordon comic strips of the 1930s and the films of the late 1970s and early 1980s. Noticeable here are the similarities in the design of the environmental troopers, the use of gas masks on

There have always been interesting visual connections between the Flash Gordon comic strips of the 1930s and the #StarWars films of the late 1970s and early 1980s. Noticeable here are the similarities in the design of the environmental troopers, the use of gas masks on
account_circle
Alex Grand(@Comichistorians) 's Twitter Profile Photo

David Michelinie mentioned in an interview that the 1988 origin story of , involving Eddie Brock and Sin-Eater, was inspired by the sensationalist journalist Jimmy Breslin and the Son of Sam serial killer, focusing on their interaction in 1977. During that period, Son of

David Michelinie mentioned in an interview that the 1988 origin story of #Venom, involving Eddie Brock and Sin-Eater, was inspired by the sensationalist journalist Jimmy Breslin and the Son of Sam serial killer, focusing on their interaction in 1977. During that period, Son of
account_circle
Alex Grand(@Comichistorians) 's Twitter Profile Photo

Alter Ego #188 (2024) launches a series showcasing remarkable interviews with 's Golden and Silver Age creators by David Armstrong, my fellow CBH moderator and a historian of Golden Age comics. I was honored to digitize, remaster, and transcribe these insightful

Alter Ego #188 (2024) launches a series showcasing remarkable interviews with #Marvel's Golden and Silver Age creators by David Armstrong, my fellow CBH moderator and a historian of Golden Age comics. I was honored to digitize, remaster, and transcribe these insightful
account_circle
Alex Grand(@Comichistorians) 's Twitter Profile Photo

In 1971, Doc Samson's costume design, crafted by Roy Thomas and Herb Trimpe for , drew inspiration from Captain Tootsie, a character created by C.C. Beck in the 1950s. Roy Thomas has expressed his fondness for Captain Tootsie, a figure from his childhood and hero of a

In 1971, Doc Samson's costume design, crafted by Roy Thomas and Herb Trimpe for #marvel, drew inspiration from Captain Tootsie, a character created by C.C. Beck in the 1950s. Roy Thomas has expressed his fondness for Captain Tootsie, a figure from his childhood and hero of a
account_circle
Alex Grand(@Comichistorians) 's Twitter Profile Photo

Imagine being a child on that film set, where Christopher Reeve’s wasn’t just a character but a comforting presence, whose every graceful and assured move seemed to be for you. In his eyes, you weren’t just another face in the crowd; you were the one he’d fly across

Imagine being a child on that film set, where Christopher Reeve’s #Superman wasn’t just a character but a comforting presence, whose every graceful and assured move seemed to be for you. In his eyes, you weren’t just another face in the crowd; you were the one he’d fly across
account_circle
Alex Grand(@Comichistorians) 's Twitter Profile Photo

In 1968, the ambitious Spectacular magazine launched with a duo of issues—first in stark black and white, then in vivid color, crafted by the renowned John Romita Sr., Stan Lee, and Jim Mooney. Despite the heavyweight creative team, sales were lackluster. The series’

In 1968, the ambitious Spectacular #SpiderMan magazine launched with a duo of issues—first in stark black and white, then in vivid color, crafted by the renowned John Romita Sr., Stan Lee, and Jim Mooney. Despite the heavyweight creative team, sales were lackluster. The series’
account_circle
Alex Grand(@Comichistorians) 's Twitter Profile Photo

In Quality Comics' Military Comics #1 from 1941, we see the first appearance of Blackhawk, created by Will Eisner and illustrated by Chuck Cuidera. Unlike the scene between and Greedo, where differing versions show who shot first, there is no ambiguity here: Blackhawk

In Quality Comics' Military Comics #1 from 1941, we see the first appearance of Blackhawk, created by Will Eisner and illustrated by Chuck Cuidera. Unlike the scene between #HanSolo and Greedo, where differing versions show who shot first, there is no ambiguity here: Blackhawk
account_circle
Alex Grand(@Comichistorians) 's Twitter Profile Photo

In 1974, the scandal intensified public disillusionment amidst rising inflation & crime rates. This skepticism birthed anti-heroes such as Gerry Conway's & Len Wein's , reflecting societal mood thru comics. John Romita Sr., 's art director at

In 1974, the #Watergate scandal intensified public disillusionment amidst rising inflation & crime rates. This skepticism birthed anti-heroes such as Gerry Conway's #Punisher & Len Wein's #Wolverine, reflecting societal mood thru comics. John Romita Sr., #Marvel's art director at
account_circle
Alex Grand(@Comichistorians) 's Twitter Profile Photo

In 1980, Al Williamson and Carlos Garzon, guided by writer/editor Archie Goodwin, were immersed in adapting The Empire Strikes Back into a comic book. Their initial representation of Yoda, as seen on the lower left, was based on early designs. However, with the release of the

In 1980, Al Williamson and Carlos Garzon, guided by writer/editor Archie Goodwin, were immersed in adapting The Empire Strikes Back into a comic book. Their initial representation of Yoda, as seen on the lower left, was based on early designs. However, with the release of the
account_circle
Alex Grand(@Comichistorians) 's Twitter Profile Photo

We've lost a legend with ' passing. I first met her in 2018 at a comics event—her energy and expertise were incredible. She shared her insights on our podcast, supported my projects, and even endorsed my wife’s graphic novel. Trina’s impact was profound; she will be

We've lost a legend with #TrinaRobbins' passing. I first met her in 2018 at a comics event—her energy and expertise were incredible. She shared her insights on our podcast, supported my projects, and even endorsed my wife’s graphic novel. Trina’s impact was profound; she will be
account_circle
Alex Grand(@Comichistorians) 's Twitter Profile Photo

The Rampaging Hulk magazine, initially in black and white from 1977-78, evolved into the full-color Hulk! from 1979-81. It targeted adult fans, blending TV show success with mature-themed comics, showcasing dynamic covers and complex tales, including the alongside Moon

The Rampaging Hulk magazine, initially in black and white from 1977-78, evolved into the full-color Hulk! from 1979-81. It targeted adult fans, blending TV show success with mature-themed comics, showcasing dynamic covers and complex tales, including the #Hulk alongside Moon
account_circle